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Tinková, Daniela. Učinit neviditelné viditelným : od anatomické Venuše k tajemství počátku. Opuscula historiae artium. 2019, vol. 68, iss. 2, pp. 256–267.

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Kozieł, Andrzej. Malarstwo barokowe na Śląsku, aneb, O "metodologii úspěchu". Opuscula historiae artium. 2019, vol. 68, iss. 2, pp. 200–213.

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Waisser, Pavel. Sgrafitová výzdoba tzv. Malovaného domu na Náměstí v Mikulově : ikonografie s konfesionálním podtextem. Opuscula historiae artium. 2019, vol. 68, iss. 2, pp. 300–315.

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Hägi-Mead, Sara. Tabus und Integration : Willkommen in Deutschland. Brünner Beiträge zur Germanistik und Nordistik. 2019, vol. 33, iss. Supplementum, pp. 21–42.

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Revermann, Martin. Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.

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Jovanovic, Nenad. The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.

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Pontieri, Laura. Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.

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Šlaisová, Eva. Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.

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Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

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Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.

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Revermann, Martin. Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.

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Meerzon, Yana. On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.

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Pérez-Simón, Andrés. Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.

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Ambros, Veronika, Switzky, Lawrence. "Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.

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Štefanides, Jiří. Jak jsme na tom?. Theatralia. 2019, vol. 22, iss. 2, pp. 247–250.

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Kubart, Tomáš. "A teď jste všechno zkazili!" : CampQ. Theatralia. 2019, vol. 22, iss. 2, pp. 267–269.

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Štefanides, Jiří. Společnost Josepha von Öttla v městském divadle v Olomouci (1780–1783). Theatralia. 2019, vol. 22, iss. 2, pp. 137–153.

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Vrbková, Jitka. Divadlo diverzity : Theater RambaZamba v Berlíně. Theatralia. 2019, vol. 22, iss. 2, pp. 194–220.

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Solčániová, Ivona. Perspektívy teatrológie 2019. Theatralia. 2019, vol. 22, iss. 2, pp. 251–256.

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Havlíčková, Margita, Neuhuber, Christian, Škrobánková, Klára. Das vielsprachige Theater Tschechiens in der Frühen Neuzeit : Vorwort, Editorial. Theatralia. 2019, vol. 22, iss. 2, pp. 7–11.

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Bulandrová, Amálie. Pražské Quadriennale scénografie a divadelního prostoru : Imaginace, transformace, reflexe. Theatralia. 2019, vol. 22, iss. 2, pp. 257–266.

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Juříčková, Miluše. [Březinová, Helena. Slavíci, mořské víly a bolavé zuby: pohádky H. Ch. Andersena: mezi romantismem a modernitou]. Brünner Beiträge zur Germanistik und Nordistik. 2019, vol. 33, iss. 1, pp. 189–190.

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Merenus, Aleš. Editorial. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 7.

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Merenus, Aleš. Ediční poznámka. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 67–68.

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Merenus, Aleš. Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 85–88.

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Merenus, Aleš. Seznam zastřešujících názvů českých profesionálních divadelních scén. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 71–76.