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Chapter
Střítecký, Jaroslav.
Libussa und Brandenburger. In: Střítecký, Jaroslav. Studie a stati. 1.
2017, pp. 82–88.
Chapter
Střítecký, Jaroslav.
The Czech Question a century later. In: Střítecký, Jaroslav. Studie a stati. 1.
2017, pp. 66–81.
Chapter
Střítecký, Jaroslav.
Die tschechische nationale Wiedergeburt: Mythen und Denkanstösse. In: Střítecký, Jaroslav. Studie a stati. 1.
2017, pp. 96–114.
Chapter
Střítecký, Jaroslav.
Brno - die tschechoslowakische Hauptstadt der Moderne?. In: Střítecký, Jaroslav. Studie a stati. 1.
2017, pp. 44–53.
Chapter
Střítecký, Jaroslav.
Liberale Motive bei Wilhelm Dilthey. In: Střítecký, Jaroslav. Studie a stati. 1.
2017, pp. 171–195.
Chapter
Střítecký, Jaroslav.
Vom Prager/Wiener Formalismus zum Prager Strukturalismus : zu einer Mitteleuropäischen Tradition. In: Střítecký, Jaroslav. Studie a stati. 1.
2017, pp. 205–216.
Chapter
Střítecký, Jaroslav.
Studien und Aufsätze 1 : Zusammenfassung. In: Střítecký, Jaroslav. Studie a stati. 1.
2017, pp. 220.
Chapter
Střítecký, Jaroslav.
Mitteleuropa und seine Regionen. In: Střítecký, Jaroslav. Studie a stati. 1.
2017, pp. 115–122.
Chapter
Střítecký, Jaroslav.
Sozialismus und Nation : zur Revolutionskritik bei Thomas Garrigue Masaryk. In: Střítecký, Jaroslav. Studie a stati. 1.
2017, pp. 54–65.
Chapter
Střítecký, Jaroslav.
Hätte Thomas Masaryk zum österreichschen Durkhheim werden können?. In: Střítecký, Jaroslav. Studie a stati. 1.
2017, pp. 35–43.
Article
Tazelaar, Kees.
Roelof Vermeulen at Philips : a search for space in music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 17–27.
Article
Cseres, Jozef.
Musica practica according to Roland Barthes. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 149–153.
Article
Ladič, Branko.
Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 79–87.
Article
Fulka, Vladimír.
Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.
Article
Ščepán, Michal.
New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.
Article
Horáková, Jana.
Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.
Article
Richards, John.
Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.
Article
Cenkerová, Zuzana.
Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.
Article
Landy, Leigh.
Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.
Article
Rabinovitch, Gilad.
C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 89–100.
Article
Armand, Louis.
Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.
Article
Watt, Paul.
Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.
Article
Flašar, Martin.
Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.
Article
Zagorski, Marcus.
The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.
Article
Rataj, Michal.
Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.
Article
Černá, Zuzana.
Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.
Article
Urniežius, Rytis.
The possibilities of transcribing orchestral works subject to essentiality of their original orchestration. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 85–93.
Article
Haas, Petr.
The language of the assistant and the language of the creator : selected aspects of computer assisted composition. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 121–139.
Article
Slouka, Petr.
Johann Heinrich Schmelzer's serenata for the celebrations of Maria Antonia Habsburg's birthday. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 243–251.