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Kowalcze-Pawlik, Anna. Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.

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Deres, Kornélia. Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.

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Reuss, Gabriella. Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.

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Daníčková, Eva. Review of The Routledge Companion to Dramaturgy. Theatralia. 2015, vol. 18, iss. 2, pp. 485–489.

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Zich, Otakar. Puppet theatre. Theatralia. 2015, vol. 18, iss. 2, pp. 505–513.

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Daníčková, Eva. Review of Dramaturgy in the Making: A User's Guide for Theatre Practitioners. Theatralia. 2015, vol. 18, iss. 2, pp. 490–492.

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Blecha, Jaroslav. The enigmatic puppets of important Czech marionettists, the Flachs. Theatralia. 2015, vol. 18, iss. 2, pp. 35–69.

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Drábek, Pavel. Review of Petr Matásek – the scenographic puppet master. Theatralia. 2015, vol. 18, iss. 2, pp. 463–465.

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Billing, Christian M.. Review of Jan Švankmajer: Dimensions of Dialogue Between Film and Art. Theatralia. 2015, vol. 18, iss. 2, pp. 477–480.

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Chryssouli, Georgia. Surreally human: Jan Švankmajer's world of self-destructive puppets. Theatralia. 2015, vol. 18, iss. 2, pp. 303–328.

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Lech, Kasia. Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta's Polish productions. Theatralia. 2015, vol. 18, iss. 2, pp. 277–302.

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Doležalová, Barbora. Martin Crimp: dramatik překladatelem, překladatel adaptátorem. Theatralia. 2012, vol. 15, iss. 1, pp. 214–226.

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Musilová, Martina. Jindřich Honzl's texts on acting – between convention and spontaneity. Theatralia. 2014, vol. 17, iss. 2, pp. 137–147.

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[Contents of the section Archive]. Theatralia. 2014, vol. 17, iss. 2, pp. 173–[174].

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Kačer, Tomáš. Pavel Drábek's attempts at Shakespeare. Theatralia. 2014, vol. 17, iss. 2, pp. 230–232.

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Pérez-Simón, Andrés. Conceptualizing the Hollywood biopic. Theatralia. 2014, vol. 17, iss. 2, pp. 50–59.

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Drábek, Pavel. Functional reformulations: Prague School and intralingual translation. Theatralia. 2014, vol. 17, iss. 2, pp. 81–95.

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Ambros, Veronika. Prague Linguistic Circle in English: semantic shifts in selected texts and their consequences. Theatralia. 2014, vol. 17, iss. 2, pp. 148–161.

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[Contents of the section Yorick]. Theatralia. 2014, vol. 17, iss. 2, pp. 11–[12].

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Kubart, Tomáš. O' – Scenographic Video-Essays. Theatralia. 2014, vol. 17, iss. 2, pp. 250–251.

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Meerzon, Yana. Between intentionality and affect: on Jan Mukařovský's theory of reception. Theatralia. 2014, vol. 17, iss. 2, pp. 24–40.

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Kostihová, Marcela. In double trust: Shakespeare in Central Europe. Theatralia. 2014, vol. 17, iss. 2, pp. 238–240.

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Kačer, Tomáš, Příhodová, Barbora. Editorial. Theatralia. 2014, vol. 17, iss. 2, pp. 5–6.

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Sakellaridou, Elizabeth. Phenomenological aspects of the Prague School theatre theory. Theatralia. 2014, vol. 17, iss. 2, pp. 162–171.

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Satková, Naďa. "Theatrology at a crossroads": notes from a conference. Theatralia. 2014, vol. 17, iss. 2, pp. 247–249.