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Appendices [– Photo gallery]. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 233–254.

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Kopecký, Jiří. Wagnerism in the Czech lands around 1900. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 83–90.

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Chalupka, Ľubomír. Pohľad muzikológa Jozefa Kresánka na hudbu 20. storočia. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 55–66.

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Kokole, Metoda. Andrea Bernasconi's earliest operatic music on its way north of the Alps. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 207–226.

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Studeničová, Hana. Q. in search of musicalia from the Baroque library of the Augustinian Eremites in Brno. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 5–23.

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Stýblová, Magdaléna. Italian music in the inventories of Nitra from the 18th and early 19th centuries. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 271–280.

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Stockigt, Janice B.. Italian sacred music listed in the catalogue of Dresden's Catholic court church, 1765. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 221–237.

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Owens, Samantha. The music collection of Johann (Ján) Kusser (1626–1695) : a Hungarian émigré in seventeenth-century Stuttgart. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 61–85.

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Žůrek, Pavel. The practice of music in Rajhrad monastery in the first half of the 18th century. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 169–180.

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Spurný, Lubomír. Czech Music Semiology. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 53–58.

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Beck, Kimberly. Blending the secular and sacred: instrumental textures in seventeenth-century worship. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 71–84.

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Blažek, Václav. Lusitanian language. Sborník prací Filozofické fakulty brněnské univerzity. N, Řada klasická. 2006, vol. 55, iss. N11, pp. 5–18.

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Růžičková, Dana. Where to seek the meeting point of the treatises Summa recreatorum, Mensa philosophica and Responsorium curiosorum : a query into the history of their origin. Sborník prací Filozofické fakulty brněnské univerzity. N, Řada klasická. 2006, vol. 55, iss. N11, pp. 61–77.

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Plašienková, Zlatica. Münzova teória poznania na pozadí kritiky marxistickej teórie odrazu v šesťdesiatych rokoch minulého storočia. Studia philosophica. 2014, vol. 61, iss. 2, pp. 29–45.

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Studia philosophica. Studia philosophica. 2014, vol. 61, iss. 2, pp. 106–[107].

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Riedl, Matthias. Život v budúcnosti - proleptická existencia v náboženstve, politike a umení. Studia philosophica. 2012, vol. 59, iss. 1, pp. 49–70.

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Možný, Ivo. The catch in the functional analysis of the family. Sborník prací Filozofické fakulty brněnské univerzity. G, Řada sociálněvědná. 1989-1990, vol. 38-39, iss. G33, pp. 27–39.

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Macek, Petr. Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.

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Spurný, Lubomír. The Hába school. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 141–148.

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Materna, Pavel. Congratulations. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 125.

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Celhoffer, Martin. Hudba, animus a proporce v kontextu Marchettova Lucidaria, aneb, "Svůdné mámení Sirén". Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 47–52.

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Weiss, Jernej. Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 129–138.

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Cseres, Jozef. Operné multimédiá Střeženého Parnassu. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 23–29.

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Tyrrell, John. Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.

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Efthimiou, Charris. About the instrumentation of bass and melody line in Leoš Janáček's Sinfonietta and Mládí. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 31–43.