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Pospíšil, Ivo. Man's fate in space and in time : (the modification of the chronical model in N.S. Leskov and K.V. Rais). Opera Slavica. 1991, vol. 1, iss. 1, pp. 44–49.

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Czernianin, Wiktor. Rozwój polskiej poezji miłosnej od erotyku staropolskiego do hedonistycznych wierszy Kazimierza Przerwy-Tetmajera. Opera Slavica. 2016, vol. 26, iss. 3, pp. 15–24.

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Bakula, Bogusław. Powieść historyczna a postmodernizm. Opera Slavica. 1994, vol. 4, iss. 3, pp. 27–39.

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Špačková, Stanislava. The impact of political changes on the use of Latin script in Russian texts. Opera Slavica. 2015, vol. 25, iss. 2, pp. 47–58.

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Chorna, Milena. The Ukrainian folk painting "Cossack Mamay" and Cossacks' spiritual practice. Opera Slavica. 2015, vol. 25, iss. 2, pp. 59–70.

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Schacherl, Martin. The (formal) exclusiveness of Julius Zeyer's literary language. Opera Slavica. 2019, vol. 29, iss. 3, pp. 5–11.

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Gorzelana, Joanna, Michałowski, Jacek. Zapożyczenia, neologizmy czy archaizmy? : o znaczeniu i budowie słowotwórczej określeń nazywających postacie w polskiej wersji gry internetowej Hearthstone. Opera Slavica. 2015, vol. 25, iss. 2, pp. 34–46.

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Nikadem-Malinowska, Ewa. Brodski wobec ostateczności : Semiotyka śmierci w wybranej liryce poety. Opera Slavica. 2000, vol. 10, iss. 3, pp. 1–7.

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Nedbal, Martin. Heinrich Wilhelm Haugwitz and the reception of Mozart's operas in early nineteenth-century Moravia. Musicologica Brunensia. 2021, vol. 56, iss. 1, pp. 43–57.

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Kusák, Jiří. Music and Organ School of the Association of Education in Ostrava-Mariánské Hory / Masaryk Institute of Music and Singing in 1907–1939. Musicologica Brunensia. 2021, vol. 56, iss. 1, pp. 5–23.

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Chew, Geoffrey. Little Bo-Peep has lost her sheep, and doesn't know where to find them, or, In search yet again of Czechness and Czech music. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 15–21.

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Zapletal, Miloš. Civilist tendencies in the inter-war Czech music : at the beginning of a research. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 237–251.

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Vejvodová, Veronika. An unsuccessful rehabilitation : performances of Dvořák's Armida in 1918–38. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 63–77.

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Baťa, Jan. Remarks on the Festivities of the Order of the Golden Fleece in Prague (1585). Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 25–35.

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Maňas, Vladimír. The choir lofts in the church of St. James in Brno : (between the late 15th and the 19th centuries). Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 103–111.

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Leszczyńska, Agnieszka. Liturgical function and Gregorian chant in the music of Paulus Bucenus. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 91–102.

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Desmet, Marc. "Ut omni tempore inservire queant…" : a reflection on the structure of Jacobus Handl's Opus musicum and its association with a liturgical context. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 5–24.

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Škvařil, Lumír. Musicologically relevant sources from the manuscript collection of the parish church of St. James in Brno. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 145–153.

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Kiss, Gábor. Mixing local and regional, traditional and non-traditional elements: the case of the graduale Wladislai. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 79–90.

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Žáčková Rossi, Michaela. "...questo Bassista è buona persona..." : a short overview of sources for the Rudolfine Imperial court environment's studies. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 155–167.

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Comparin, Chiara. Mapping the presence of Paduan repertoire in European anthologies in the first half of the seventeenth century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 25–40.

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Pavlica, Lukáš. Musical inventories of the St. Peter and Paul (Brno) church in the 18th and early 19th century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 281–330.

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Kratochvílová, Jana. Inventory from 1761 of the deanery Church of Assumption of the Virgin Mary in Most. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 161–177.

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Schreurs, Eugeen. Musica Antiqua-Musica Nova? : three unpublished inventories from Tongeren and Hasselt, in the context of religious music in the Southern Netherlands and the Prince-bishopric of Liège (c. 1650–1790). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 129–160.

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Ratolístková, Michaela, Spáčilová, Jana. The music collection of the Brno St. James regenschori Matthaeus Rusmann and its inventory from 1763. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 201–219.

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Hulková, Marta. Italian music in the 17th century in the regions of Spiš and Šariš in the Evangelical Churches of the Augsburg Confession. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 41–60.

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Zouhar, Vít. Bohuslav Martinů's notes on Janáček's introduction to the "Moravian Folksongs Newly Collected" (Národní písně moravské v nově nasbírané). Musicologica Brunensia. 2013, vol. 48, iss. 2, pp. 191–199.

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Celhoffer, Martin. Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.

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Kajanová, Yvetta. World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.

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Urniežius, Rytis. Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.