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Chapter
Srba, Bořivoj.
Muses in exile. In: Srba, Bořivoj. Múzy v exilu : kulturní a umělecké aktivity čs. exulantů v Londýně v předvečer a v průběhu druhé světové války, 1939-1945 : kulturní politika, "pódiové" programy, koncerty, literární a recitační pořady, taneční vystoupení, divadelní představení, rozhlasová pásma a hry, filmová tvorba, časopisecká a ediční činnost, ideové diskuze.
2003, pp. 854–858.
Chapter
Střítecký, Jaroslav.
The Czech Question a century later. In: Střítecký, Jaroslav. Studie a stati. 1.
2017, pp. 66–81.
Chapter
Maňas, Vladimír.
Nicolaus Zangius : the musician at the turn of the 16th and 17th centuries : the life of an unknown : summary. In: Maňas, Vladimír. Nicolaus Zangius: hudebník přelomu 16. a 17. století : na stopě neznámému.
2020, pp. 157–161.
Chapter
Flašar, Martin.
Poème électronique. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis.
2012, pp. 98–143.
Chapter
Flašar, Martin.
Summary. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis.
2012, pp. 148.
Chapter
Flašar, Martin.
Edgard Varèse – humanista a Brancusi soudobé hudby. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis.
2012, pp. 45–67.
Chapter
Flašar, Martin.
Iannis Xenakis. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis.
2012, pp. 68–90.
Chapter
Flašar, Martin.
Teoretické, technologické a estetické předpoklady Varèseho tvorby. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis.
2012, pp. 21–44.
Article
Zouhar, Vít.
Bohuslav Martinů's notes on Janáček's introduction to the "Moravian Folksongs Newly Collected" (Národní písně moravské v nově nasbírané). Musicologica Brunensia. 2013, vol. 48, iss. 2, pp. 191–199.
Article
Celhoffer, Martin.
Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.
Article
Kajanová, Yvetta.
World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.
Article
Urniežius, Rytis.
Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.
Article
Pavlica, Lukáš.
Jan Fryček in the inventories of the Premonstratensian Monastery in Nová Říše. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 41–67.
Article
Jaunslaviete, Baiba.
Reception of Czech and Latvian music by German music critics in Riga in the late 19th and early 20th centuries : some comparative aspects. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 149–162.
Article
Franková, Jana.
Music at the court of Adam Franz and Joseph Adam von Schwarzenberg : Vienna, Český Krumlov and Paris and transitions at to the end of baroque era. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 159–177.
Article
Perutková, Jana.
Die glückliche Vorbedeutung and Aristheus : unknown libretti of German-language operas performed in the Kärntnertortheater in Vienna in 1741. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 123–155.
Article
Spáčilová, Jana.
Orlandini's Antigona (vendicata) : transformation of a Venetian opera on its transalpine journey. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 227–248.
Article
Slouka, Petr.
Viva eterno Leopoldo! : Italian birthday serenatas by Johann Heinrich Schmelzer. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 35–46.
Article
Ryszka-Komarnicka, Anna.
Between Venice, Lubowla in Spiš and Kraków : Prince Teodor Lubomirski – an enthusiast of Italian opera (a preliminary study). Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 191–205.
Article
Selfridge-Field, Eleanor.
The Teatro Sant'Angelo : cradle of fledgling opera troupes. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 157–170.
Article
Macek, Petr.
Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.
Article
Spurný, Lubomír.
The Hába school. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 141–148.
Article
Weiss, Jernej.
Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 129–138.
Article
Tyrrell, John.
Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.
Article
Efthimiou, Charris.
About the instrumentation of bass and melody line in Leoš Janáček's Sinfonietta and Mládí. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 31–43.
Article
Procházková, Adéla.
Henry Lefebvre's rhythmanalysis as a tool for comprehensive listening of the city. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 97–104.
Article
Settari, Olga.
The aesthetic views of music of Descartes and Comenius. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1997, vol. 46, iss. H32, pp. 5–14.
Article
Romportlová, Simona.
The reflection of the monastical music in Czech musicology of the twentieth century - the select bibliography. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1997, vol. 46, iss. H32, pp. 67–81.
Article
Štědroň, Bohumír.
"Ej, danaj" and "Zelené sem sela" in the Opera Jenufa by Janáček. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1970, vol. 19, iss. H5, pp. 91–104.