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Koppová, Kateřina, Dvořáčková, Terezie. Marking 10 Years of LEVYNA: Shifting Topics and Tools of CESR. Sacra. 2022, vol. 20, iss. 1, pp. 45–48.

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Válek, František, Mokrý, Matouš. Výběr z nově vydaných titulů z oblasti studia náboženství starověkého východního Středomoří. Sacra. 2022, vol. 20, iss. 1, pp. 53–57.

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Springinzeisz, Kata. Social inclusion in museum education : a literature review. Museologica Brunensia. 2022, vol. 11, iss. 2, pp. 4–20.

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Bollettin, Paride. Rethinking dialogues in museum spaces : an Amerindian ethnographic collection in Italy. Museologica Brunensia. 2022, vol. 11, iss. 2, pp. 21–33.

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Burakov, Jurìj Vasyl'ovyč, Pytl'ovana, Lìlìja. Military museums of the Armed Forces of Ukraine during the Russian-Ukrainian war of 2014–2022. Museologica Brunensia. 2022, vol. 11, iss. 2, pp. 34–42.

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Hruška, Viktor. Early Czech music theory : characterization, personalities and trends. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 39–55.

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Kajanová, Yvetta. Migration of Central European musicians exemplified by John Dopyera, Diana Krall, Andreas Varady, and Celeste Buckingham. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 57–74.

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Dobšinský, Peter. The AMC Trio jazz combo and their inspirations drawn from Slovak folk music. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 75–88.

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Pavlica, Lukáš. The operas arrangements for chamber ensembles in the Moravian and Lower Austrian monasteries. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 153–166.

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Slavíček, Lubomír, Šeferisová Loudová, Michaela. Editorial. Opuscula historiae artium. 2022, vol. 71, iss. 1-2, pp. 3–6.

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Plassard, Didier. Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.

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Raiterová, Eliška. To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.

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Orawczak Kunešová, Mariana, Béhar, Henri. Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.

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Šlaisová, Eva. Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.

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Veselovska, Hanna. Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Jochmanová, Andrea, Orawczak Kunešová, Mariana. The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.

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Kosiński, Dariusz. Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.

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Sokolová, Jana. Adverbial trigrams in semantic and communication contexts. Linguistica Brunensia. 2022, vol. 70, iss. 1, pp. 25–38.

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Gellérfi, Gergő. Misogynistic musings : the Roman wives in Juvenal's Satire 6. Graeco-Latina Brunensia. 2022, vol. 27, iss. 1, pp. 57–67.

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Dzurillová, Zuzana. [Nijk, A. Arjan. Tense-switching in Classical Greek: a cognitive approach]. Graeco-Latina Brunensia. 2022, vol. 27, iss. 1, pp. 135–138.

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Höfler, Stefan, Nielsen, Johan Ulrik. A Proto-Indo-European word for 'spider'? : un-weaving the prehistory of the Greek ἀράχνη and the Latin arāneus. Graeco-Latina Brunensia. 2022, vol. 27, iss. 1, pp. 69–89.

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Hanáčková, Andrea. Tendons, meat, fat : the invisible body in the liminal space of podcasting. Theatralia. 2022, vol. 25, iss. 2, pp. 62–80.