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Hudecová, Danuta, Kalina, Petr. Leoš Janáček's interpretation and misinterpretation of Dostoyevsky's The House of the Dead. Musicologica Brunensia. 2016, vol. 51, iss. 2, pp. 27–40.

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Slouka, Petr. Johann Heinrich Schmelzer's serenata for the celebrations of Maria Antonia Habsburg's birthday. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 243–251.

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Kozel, David. Repetition as a principle of mythological thinking and music of the twentieth century. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 157–167.

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Mohammad, Iyad Abdelhafeez. Compositional technique and phenomenological categories of perception in the Passacaglia of Shostakovich's Symphony No. 8. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 95–108.

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Macek, Petr. Music lexicographer Jiří Fukač and the Brno School of Music Lexicography. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 43–48.

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Blažek, Václav. On classification of Middle Iranian languages : (preliminary report). Linguistica Brunensia. 2013, vol. 61, iss. 1-2, pp. 49–74.

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Bičovský, Jan. A note on the Slavic suppletion series *xoditi ~ *šьdlъ ~ *jьdǫ "to go". Linguistica Brunensia. 2013, vol. 61, iss. 1-2, pp. 129–134.

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Gutiérrez Rubio, Enrique. Agents and instruments in Old Czech nominal word formation. Linguistica Brunensia. 2013, vol. 61, iss. 1-2, pp. 173–183.

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Bičanová, Lenka, Blažek, Václav. Indo-European personal pronouns: limits of their internal reconstruction. Linguistica Brunensia. 2014, vol. 62, iss. 1, pp. 29–55.

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Tsapanidou, Anastasia. Mirrors in 19th-century Greek prose fiction: The King of Hades (Constantinople, 1882). Neograeca Bohemica. 2019, vol. 19, iss. [1], pp. 25–46.

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Sokolová, Jana. Adverbial trigrams in semantic and communication contexts. Linguistica Brunensia. 2022, vol. 70, iss. 1, pp. 25–38.

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Studia philosophica. Studia philosophica. 2017, vol. 64, iss. 1, pp. 137–138.

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Úvodem. Studia philosophica. 2016, vol. 63, iss. 2, pp. 3.

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Studia philosophica. Studia philosophica. 2016, vol. 63, iss. 2, pp. 94–[95].

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Winner, Thomas Gustav. Prague structuralism and semiotics : western neglect and resulting fallacies. Opera Slavica. 1992, vol. 2, iss. 3, pp. 6–16.

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Beckerman, Michael. Klein the Janáčkian. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 25–33.

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Tyrrell, John. Janáček, religion and belief. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 209–215.

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Špaček, Jan. Private feelings and public statements in the music of Dmitry Shostakovich. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 203–208.

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Appendices [– Photo gallery]. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 233–254.

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Kopecký, Jiří. Wagnerism in the Czech lands around 1900. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 83–90.

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Kokole, Metoda. Andrea Bernasconi's earliest operatic music on its way north of the Alps. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 207–226.

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Černá, Zuzana. Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.

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Urniežius, Rytis. The possibilities of transcribing orchestral works subject to essentiality of their original orchestration. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 85–93.

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Haas, Petr. The language of the assistant and the language of the creator : selected aspects of computer assisted composition. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 121–139.

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Filipová, Marta. A world of its own? : art history in Prague. Art East Central. 2021, vol. 1, iss. 1, pp. 135–140.

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Notes on contributors. Art East Central. 2021, vol. 1, iss. 1, pp. 153–154.

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Howard, Jeremy. Karel Čapek's graphic Britain : a study of the visual intermodernism of Čapek's Letters from England. Art East Central. 2021, vol. 1, iss. 1, pp. 51–76.