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Škybraha, Marek. [Bel, Matej. Oravská stolica ; Bel, Matej. Liptovská stolica ; Bel, Matej. Turčianska stolica]. Graeco-Latina Brunensia. 2019, vol. 24, iss. 2, pp. 267–268.

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Králová, Magda. When Óðinn meets Pompey : Norse and classical elements in English literature at the turn of the 18th and 19th century. Graeco-Latina Brunensia. 2019, vol. 24, iss. 2, pp. 125–141.

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Muchnová, Dagmar. Negative concord in classical Greek case study : Xenophon. Graeco-Latina Brunensia. 2019, vol. 24, iss. 2, pp. 163–176.

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Myronova, Valentyna Mykolajivna, Korol'ova, Natalìja, Koščìj, Oksana Mykolajivna. Lexical eclecticism of Latin texts on the territory of Ukraine of the XV-XVII centuries. Graeco-Latina Brunensia. 2019, vol. 24, iss. 2, pp. 177–191.

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Kaczyńska, Elwira, Witczak, Krzysztof Tomasz. Cicadas in the Hesychian lexicon. Graeco-Latina Brunensia. 2019, vol. 24, iss. 2, pp. 53–65.

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Tsapanidou, Anastasia. Mirrors in 19th-century Greek prose fiction: The King of Hades (Constantinople, 1882). Neograeca Bohemica. 2019, vol. 19, iss. [1], pp. 25–46.

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Dlask, Jan. Ingmar Bergman's Guests at the Last Supper in the time of nuclear threats. Theatralia. 2019, vol. 22, iss. 1, pp. 76–87.

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Šík, Jan-Marek. Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.

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Hanáčková, Andrea, Bojda, Tomáš. Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.

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Švachová, Romana. Persona revisited : filling in the gaps via the original script. Theatralia. 2019, vol. 22, iss. 1, pp. 13–30.

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Zálešáková, Tereza. Much ado about Disney?. Theatralia. 2019, vol. 22, iss. 1, pp. 126–128.

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Březinová, Helena. Helena Kadečková (14 August 1932 – 30 June 2018). Theatralia. 2019, vol. 22, iss. 1, pp. 137–140.

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Stehlíková, Karolína, Černík, Zbyněk. Between film, short story and novel : interview with Zbyněk Černík. Theatralia. 2019, vol. 22, iss. 1, pp. 97–100.

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Sosnowska, Dorota. Performing memory – workers' strikes in post-war Poland. Theatralia. 2019, vol. 22, iss. 1, pp. 89–96.

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Holmberg, Jan. Film jako zajížďka : Ingmar Bergman jako spisovatel. Theatralia. 2019, vol. 22, iss. 1, pp. 105–113.

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Tóthová, Kristína. Ingmar Bergman, the multimedial author. Theatralia. 2019, vol. 22, iss. 1, pp. 129–131.

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Perregaard, Bettina. The temporality of truth : deception and self-deception in Ingmar Bergman's The Best Intentions. Theatralia. 2019, vol. 22, iss. 1, pp. 31–44.

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Stehlíková, Eva. The Seventh Seal on the Czech stage. Theatralia. 2019, vol. 22, iss. 1, pp. 61–75.

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Stehlíková, Karolína. Ingmar Bergman's afterlife. Theatralia. 2019, vol. 22, iss. 1, pp. 9–12.

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Solčániová, Ivona. Ingmar Bergman's 100th anniversary celebration in the Czech Republic. Theatralia. 2019, vol. 22, iss. 1, pp. 132–136.

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Posters of Bergman's movies. Theatralia. 2019, vol. 22, iss. 1, pp. 141–149.

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Stehlíková, Karolína, Holmberg, Jan. Bergman as a master of expression : interview with Jan Holmberg. Theatralia. 2019, vol. 22, iss. 1, pp. 101–104.

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Stehlíková, Karolína. The master and his manuscript. Theatralia. 2019, vol. 22, iss. 1, pp. 122–125.

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Drozd, David. Bergman's theatre is the serious game. Theatralia. 2019, vol. 22, iss. 1, pp. 115–118.

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Hägi-Mead, Sara. Tabus und Integration : Willkommen in Deutschland. Brünner Beiträge zur Germanistik und Nordistik. 2019, vol. 33, iss. Supplementum, pp. 21–42.

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Juříčková, Miluše. [Březinová, Helena. Slavíci, mořské víly a bolavé zuby: pohádky H. Ch. Andersena: mezi romantismem a modernitou]. Brünner Beiträge zur Germanistik und Nordistik. 2019, vol. 33, iss. 1, pp. 189–190.

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Revermann, Martin. Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.

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Jovanovic, Nenad. The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.