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Day, Moira. Women and the Western Canadian theatre 1918-1960. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2005, vol. 54, iss. Q8, pp. 185–195.

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Stehlíková, Eva. Úvodem. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2008, vol. 57, iss. Q11, pp. 5–8.

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Krupa, Hilary. The actualization of time and the concept of space in the "Breaking of the illusion" in Milan Kundera's play, Jacques and his master. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2002, vol. 51, iss. Q5, pp. 81–92.

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Klein, Pavel. Zinajda Nikolajevna Gippiusová (1867-1945) : bibliografický soupis základní literatury. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2002, vol. 51, iss. Q5, pp. 123–126.

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Ray, K. Mohit. Problems of evaluating a Sanskrit drama by western standard. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2007, vol. 56, iss. Q10, pp. 131–141.

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Coelho, Rui Pina. Updating the experiment : two Portuguese theatre anthologies. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2007, vol. 56, iss. Q10, pp. 183–186.

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Hanáčková, Andrea. Tendons, meat, fat : the invisible body in the liminal space of podcasting. Theatralia. 2022, vol. 25, iss. 2, pp. 62–80.

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Rebouças, Renato Bolelli. Expanded scenography from the Global South. Theatralia. 2024, vol. 27, iss. 1, pp. 35–56.

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Barros, Natália Dário Mendes , Rodrigues, Cristiano Cezarino. Architecture, performance, and scenography : exploring the body experience in the house – insights from Ensaios do corpo. Theatralia. 2024, vol. 27, iss. 1, pp. 57–78.

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Almási, Zsolt. The theatrical fate of Shakespeare's Great Tragedies in Hungary : metadata and their value. Theatralia. 2024, vol. 27, iss. 1, pp. 145–166.

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Stehlíková, Tereza, Vaghi, Katja. Experiencing the infra-ordinary : the power of imaginative spaces. Theatralia. 2024, vol. 27, iss. 1, pp. 112–144.

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Garett, Ian. Ethical scenography in the North American Cluster programme at the Prague Quadrennial. Theatralia. 2024, vol. 27, iss. 1, pp. 215–235.

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Stourna, Athena. Transformation, repair, and change! : scenographic strategies in teaching socially-engaged performance. Theatralia. 2024, vol. 27, iss. 1, pp. 294–301.

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Álvarez, Jhonn. Costume design for public space : a view from Complejo Conejo, Chilean performance collective. Theatralia. 2024, vol. 27, iss. 1, pp. 303–309.

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Filmer, Andrew. Acts of Assembly : the Performance Space Exhibition at PQ 2023. Theatralia. 2024, vol. 27, iss. 1, pp. 271–278.

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Raiterová, Eliška. And so the world bleeped, blooped, buzzed, and glitched. Now hear this. Theatralia. 2024, vol. 27, iss. 1, pp. 267–270.

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Zieglerová, Klára. Fragments exhibition at PQ 2023. Theatralia. 2024, vol. 27, iss. 1, pp. 279–286.

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Jocoy, Stacey. Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.

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Grant, Teresa. "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.

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Šalounová, Kateřina. Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.

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Daniel, Clara. Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.

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Stehlíková, Karolína, Lollike, Christian. I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike. Theatralia. 2020, vol. 23, iss. 2, pp. 169–172.

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Poláčková, Eliška. Planctus Mariae : performing compassion as a means of social promotion. Theatralia. 2020, vol. 23, iss. 2, pp. 74–91.

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Kačer, Tomáš, Drozd, David. (Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.