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Displaying 241 - 270 of 329

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Pelikánová, Lucie. The scenic designs of Karel Zmrzlý. Theatralia. 2011, vol. 14, iss. 1, pp. 192–203.

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Brandesky, Joseph E.. Master of dramatic space: a documentary on Jaroslav Malina : by Dutch filmmaker Hans van Seventer. Theatralia. 2011, vol. 14, iss. 1, pp. 263.

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Spáčilová, Jana. Libretto as a source of Baroque scenography in the Czech lands : ad honorem Jiří Hilmera. Theatralia. 2011, vol. 14, iss. 1, pp. 82–97.

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Notes on contributors. Theatralia. 2011, vol. 14, iss. 1, pp. 5–8.

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Stehlíková, Eva. Divadlo Svoboda (Theatre Svoboda) : a feature-length documentary film by Jakub Hejna. Theatralia. 2011, vol. 14, iss. 1, pp. 264–265.

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Howard, Pamela. Staging Brouček : the world premiere of Výlet pana Broučka do Měsíce by Leoš Janáček. Theatralia. 2011, vol. 14, iss. 1, pp. 292–308.

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Stehlíková, Eva. The Laterna Magika of Josef Svoboda and Alfréd Radok. Theatralia. 2011, vol. 14, iss. 1, pp. 173–191.

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Havlíčková Kysová, Šárka. A journey into theatrical space : the project of the Scenographic encyclopaedia and its Prolegomena. Theatralia. 2011, vol. 14, iss. 1, pp. 244–253.

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Lazorčáková, Tatjana. The function of irregular space in Moravian and Silesian theatre, 1960-1989: experiment, protest, alternative. Theatralia. 2011, vol. 14, iss. 1, pp. 204–227.

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Marková, Sylva. Costume collections of the Schwarzenberg court theatre at Český Krumlov Castle. Theatralia. 2011, vol. 14, iss. 1, pp. 98–113.

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Brandesky, Joseph E.. Permanent interaction: reflections on the paintings and designs of Jaroslav Malina. Theatralia. 2011, vol. 14, iss. 1, pp. 228–243.

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Vršecká, Kateřina. Towards a way of reading scenic space in dramatic texts of the Czech Middle Ages. Theatralia. 2011, vol. 14, iss. 1, pp. 65–81.

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Stehlíková, Eva. How to present ancient theatre on television. Theatralia. 2018, vol. 21, iss. 2, pp. 214–216.

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Turzíková, Tereza. The urge to share knowledge. Theatralia. 2018, vol. 21, iss. 2, pp. 217–219.

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Fergusson, Cat. Visualising process: Hofman's 1926 Hamlet reconstructive practice. Theatralia. 2018, vol. 21, iss. 2, pp. 15–28.

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Zálešáková, Tereza. What makes British musicals uniquely British?. Theatralia. 2018, vol. 21, iss. 2, pp. 208–210.

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Tagareva, Albena. Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts. Theatralia. 2018, vol. 21, iss. 2, pp. 141–160.

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Krajník, Filip. Mirrors of/for the times: Shakespeare in Central European theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 201–203.

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Wild, Jana. From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 64–78.

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Billing, Christian M., Havlíčková Kysová, Šárka. Making space for Shakespeare in the Central European imaginary : editorial. Theatralia. 2018, vol. 21, iss. 2, pp. 7–13.

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Drozd, David, Spurná, Helena, Bártová, Jindřiška, Flašar, Martin, Drábek, Pavel, Zahrádka, Jiří, Částková, Patricie, Kovaříková, Hana, Hložková, Hana. Zich's Guilt – reactions to the concert performance of extracts. Theatralia. 2018, vol. 21, iss. 2, pp. 223–235.

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Koblišková, Zuzana. Othello and the perception of race within the cultural context of Czech and Slovak theatres. Theatralia. 2018, vol. 21, iss. 2, pp. 127–140.

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Kunderová, Radka, Warstat, Matthias. We must take these risks : interview with Matthias Warstat. Theatralia. 2018, vol. 21, iss. 2, pp. 182–186.