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Chapter
Lukáš, Miroslav. Theater in Mikulov during the era of the Dietrichstein family : (from the end of the 16th century to the Second World War) : summary. In: Lukáš, Miroslav. Divadlo v Mikulově za éry rodu Dietrichsteinů : (od konce 16. století do druhé světové války). 2019, pp. 159–161.

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Under the protection of Clio : historical disciplines at the Faculty of Arts of Masaryk University. In: Pod ochranou Kleió : historické obory na Filozofické fakultě Masarykovy univerzity. 2019, pp. 157–160.

Chapter
Hrubý, Petr. Metallurgical production sphere in the Bohemian-Moravian Highlands at the end of the Přemyslid era : summary. In: Hrubý, Petr. Metalurgická produkční sféra na Českomoravské vrchovině v závěru přemyslovské éry. 2019, pp. 206–222.

Chapter
[Obrazová příloha : plány]. In: Přichystalová, Renáta. , Kalová, Kateřina. , Boberová, Kateřina. , Nováček, Jan. Břeclav - Pohansko. IX., Pohřební areály z Jižního předhradí (archeologicko-antropologická studie). 2019, pp. .

Chapter
Summary. In: Přichystalová, Renáta. , Kalová, Kateřina. , Boberová, Kateřina. , Nováček, Jan. Břeclav - Pohansko. IX., Pohřební areály z Jižního předhradí (archeologicko-antropologická studie). 2019, pp. 647–657.

Article
Dlask, Jan. Ingmar Bergman's Guests at the Last Supper in the time of nuclear threats. Theatralia. 2019, vol. 22, iss. 1, pp. 76–87.

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Šík, Jan-Marek. Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.

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Hanáčková, Andrea, Bojda, Tomáš. Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.

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Švachová, Romana. Persona revisited : filling in the gaps via the original script. Theatralia. 2019, vol. 22, iss. 1, pp. 13–30.

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Zálešáková, Tereza. Much ado about Disney?. Theatralia. 2019, vol. 22, iss. 1, pp. 126–128.

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Březinová, Helena. Helena Kadečková (14 August 1932 – 30 June 2018). Theatralia. 2019, vol. 22, iss. 1, pp. 137–140.

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Stehlíková, Karolína, Černík, Zbyněk. Between film, short story and novel : interview with Zbyněk Černík. Theatralia. 2019, vol. 22, iss. 1, pp. 97–100.

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Sosnowska, Dorota. Performing memory – workers' strikes in post-war Poland. Theatralia. 2019, vol. 22, iss. 1, pp. 89–96.

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Holmberg, Jan. Film jako zajížďka : Ingmar Bergman jako spisovatel. Theatralia. 2019, vol. 22, iss. 1, pp. 105–113.

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Tóthová, Kristína. Ingmar Bergman, the multimedial author. Theatralia. 2019, vol. 22, iss. 1, pp. 129–131.

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Perregaard, Bettina. The temporality of truth : deception and self-deception in Ingmar Bergman's The Best Intentions. Theatralia. 2019, vol. 22, iss. 1, pp. 31–44.

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Stehlíková, Eva. The Seventh Seal on the Czech stage. Theatralia. 2019, vol. 22, iss. 1, pp. 61–75.

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Stehlíková, Karolína. Ingmar Bergman's afterlife. Theatralia. 2019, vol. 22, iss. 1, pp. 9–12.

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Solčániová, Ivona. Ingmar Bergman's 100th anniversary celebration in the Czech Republic. Theatralia. 2019, vol. 22, iss. 1, pp. 132–136.

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Posters of Bergman's movies. Theatralia. 2019, vol. 22, iss. 1, pp. 141–149.

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Stehlíková, Karolína, Holmberg, Jan. Bergman as a master of expression : interview with Jan Holmberg. Theatralia. 2019, vol. 22, iss. 1, pp. 101–104.

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Stehlíková, Karolína. The master and his manuscript. Theatralia. 2019, vol. 22, iss. 1, pp. 122–125.

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Drozd, David. Bergman's theatre is the serious game. Theatralia. 2019, vol. 22, iss. 1, pp. 115–118.

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Revermann, Martin. Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.

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Jovanovic, Nenad. The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.

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Pontieri, Laura. Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.

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Šlaisová, Eva. Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.

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Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

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Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.

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Revermann, Martin. Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.