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Macek, Petr, Poledňák, Ivan. In memoriam on the seventieth birthday of Jiří Fukač. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2003-2005, vol. 52-54, iss. H38-40, pp. 7–13.

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Beckerman, Michael. Country boys, city air, reflections on Janáček, Brno and the rest of the world in memory of Jiří Fukač. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2003-2005, vol. 52-54, iss. H38-40, pp. 79–84.

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Vereš, Jozef. Music in an aggressive massmedial space. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2003-2005, vol. 52-54, iss. H38-40, pp. 283–287.

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Macek, Petr. Výběrová bibliografie prací Jiřího Fukače. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2003-2005, vol. 52-54, iss. H38-40, pp. 15–31.

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Dvořák, Antonín. Zwei Dokumente der Schubert-Rezeption in den böhmischen Ländern I. : Franz Schubert. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2000, vol. 49, iss. H35, pp. 79–87.

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Beckerman, Michael. Dvořák's American Schubert. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2000, vol. 49, iss. H35, pp. 65–71.

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Studeničová, Hana. Q. in search of musicalia from the Baroque library of the Augustinian Eremites in Brno. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 5–23.

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Stýblová, Magdaléna. Italian music in the inventories of Nitra from the 18th and early 19th centuries. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 271–280.

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Stockigt, Janice B.. Italian sacred music listed in the catalogue of Dresden's Catholic court church, 1765. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 221–237.

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Owens, Samantha. The music collection of Johann (Ján) Kusser (1626–1695) : a Hungarian émigré in seventeenth-century Stuttgart. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 61–85.

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Materna, Pavel. Congratulations. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 125.

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Weiss, Jernej. Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 129–138.

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Tyrrell, John. Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.

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Efthimiou, Charris. About the instrumentation of bass and melody line in Leoš Janáček's Sinfonietta and Mládí. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 31–43.

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Procházková, Adéla. Henry Lefebvre's rhythmanalysis as a tool for comprehensive listening of the city. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 97–104.

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Macek, Petr. Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.

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Spurný, Lubomír. The Hába school. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 141–148.

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Macek, Petr. On the project of Czech Music Dictionary of Persons and Institutions. Musicologica Brunensia. 2019, vol. 54, iss. 2, pp. 55–62.

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Spáčilová, Jana. Orlandini's Antigona (vendicata) : transformation of a Venetian opera on its transalpine journey. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 227–248.

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Slouka, Petr. Viva eterno Leopoldo! : Italian birthday serenatas by Johann Heinrich Schmelzer. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 35–46.

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Ryszka-Komarnicka, Anna. Between Venice, Lubowla in Spiš and Kraków : Prince Teodor Lubomirski – an enthusiast of Italian opera (a preliminary study). Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 191–205.