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Displaying 241 - 262 of 262
Article
Foletti, Ivan, Okáčová, Marie.
An age of fragmentation : evidence from late antique literary, visual, and material cultures. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 24–47.
Article
Mikulová, Jana.
The variability of late Latin authors' means for marking direct discourse. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 48–59.
Article
Croci, Chiara.
"Abbreviated" depictions? : questions on the earliest Christian images. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 60–77.
Article
Virdis, Alberto.
Fragmentation as a visual principle : from Cloisonné to early stained glass. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 78–97.
Article
Meinecke, Katharina.
Ornamental surfaces : a "global trend" in late antique Afro-Eurasia. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 98–117.
Article
Aimone, Marco.
Two Byzantine capitals "with pine cones at their corners" and their monograms : technical, stylistic, and historical observations. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 120–137.
Book
Sparling, Don.
Outside in : a personal history of the Brno Department of English narrated by Don Sparling. 2022
Article
Hanáčková, Andrea.
Tendons, meat, fat : the invisible body in the liminal space of podcasting. Theatralia. 2022, vol. 25, iss. 2, pp. 62–80.
Article
Plassard, Didier.
Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.
Article
Raiterová, Eliška.
To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.
Article
Orawczak Kunešová, Mariana, Béhar, Henri.
Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.
Article
Šlaisová, Eva.
Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.
Article
Slavkova, Iveta.
A different causality and a different reality : analysis of the absurd in French Dada and pre-surrealist theatre. Theatralia. 2022, vol. 25, iss. 1, pp. 163–165.
Article
Veselovska, Hanna.
Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.
Article
Toporišič, Tomaž.
The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.
Article
Jochmanová, Andrea, Orawczak Kunešová, Mariana.
The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.
Article
Kosiński, Dariusz.
Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.
Article
Orawczak Kunešová, Mariana.
André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.
Article
Havlíčková Kysová, Šárka.
Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.
Article
Chechyk, Valentyna.
Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.