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Theatralia, 2020, vol. 23, issue 2.

Issue
Theatralia, 2020, vol. 23, issue 1.

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Theory and Practice in English Studies, 2020, vol. 9, issue 1-2.

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Šalounová, Kateřina. Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.

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Koubová, Alice. Filosofické aspekty Estetiky performativity Eriky Fischer-Lichte. Theatralia. 2020, vol. 23, iss. 2, pp. 13–29.

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Stehlíková, Karolína. Je libo ceduli nebo plakát?. Theatralia. 2020, vol. 23, iss. 2, pp. 194–197.

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Daniel, Clara. Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.

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Koubská, Vlasta. Ke spolupráci Antonína Heythuma s Karlem Hugo Hilarem a Karlem Dostalem v Národním divadle. Theatralia. 2020, vol. 23, iss. 2, pp. 109–142.

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Stehlíková, Karolína, Lollike, Christian. I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike. Theatralia. 2020, vol. 23, iss. 2, pp. 169–172.

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Klembarová, Klaudia. Performatívne umenie v teréne Brna. Theatralia. 2020, vol. 23, iss. 2, pp. 189–191.

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Bulandrová, Amálie. Proměny Pražského Quadriennale. Theatralia. 2020, vol. 23, iss. 2, pp. 30–56.

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Poláčková, Eliška. Planctus Mariae : performing compassion as a means of social promotion. Theatralia. 2020, vol. 23, iss. 2, pp. 74–91.

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Poláčková, Eliška, Kubina, Lukáš. Perform(ance) or (something) else : Od materiálu k pojmosloví a zpět : editorial. Theatralia. 2020, vol. 23, iss. 2, pp. 7–12.

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Kubina, Lukáš. Performativní? Kreativní? Interdisciplinární?. Theatralia. 2020, vol. 23, iss. 2, pp. 192–193.

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Krajník, Filip. Zpupný krákal – Shakespeara pro naši dobu. Theatralia. 2020, vol. 23, iss. 2, pp. 198–202.

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K tématu čísla editoři doporučují. Theatralia. 2020, vol. 23, iss. 2, pp. 210–[212].

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Kačer, Tomáš, Drozd, David. (Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.

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Ambros, Veronika. Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre. Theatralia. 2020, vol. 23, iss. 1, pp. 13–29.

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Drábek, Pavel. A Czech dictionary of structuralist literary theory and criticism. Theatralia. 2020, vol. 23, iss. 1, pp. 168–170.

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Maryška, Martin. Výzkum ve stádiu utváření. Theatralia. 2020, vol. 23, iss. 1, pp. 178–183.

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Musilová, Martina. Otakar Zich on the dramatic acting. Theatralia. 2020, vol. 23, iss. 1, pp. 81–88.

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Pożar, Przemysław. The vacant utopia : reflecting on the first Polish post-war staging of The Tempest. Theatralia. 2020, vol. 23, iss. 1, pp. 131–149.

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Havlíčková Kysová, Šárka. Acquiring 'a new way of thinking about theatre...'. Theatralia. 2020, vol. 23, iss. 1, pp. 171–173.

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Osolsobě, Petr. The Aristotelian perspective in Otakar Zich's The Aesthetics of Dramatic Art. Theatralia. 2020, vol. 23, iss. 1, pp. 30–43.

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Fořt, Bohumil. On poetic types or on more?. Theatralia. 2020, vol. 23, iss. 1, pp. 54–61.

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Kačer, Tomáš, Shurma, Svitlana. Editorial. Theatralia. 2020, vol. 23, iss. 1, pp. 7–11.