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Bakeš, Ondřej. Na počátku byl domov : fenomén domova jako inspirační zdroj jednání některých členů Opus bonum. Studia historica Brunensia. 2022, vol. 69, iss. 1, pp. 269–282.

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Huhák, Heléna. Door-to-door agitation : home as a political tool in the Stalinist Budapest (1948–1953). Studia historica Brunensia. 2022, vol. 69, iss. 1, pp. 155–174.

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Eichberger, Vanja. Franco-Belgian comic books/bandes dessinées in the 20th century and how they depict the ideal of a happy home. Studia historica Brunensia. 2022, vol. 69, iss. 1, pp. 133–153.

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Schütz, Johannes. Home is where the people rules! : the idea of socialist Heimat and its emotional regime in the GDR. Studia historica Brunensia. 2022, vol. 69, iss. 1, pp. 195–212.

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Richtáriková, Tereza. Konštrukcia slovenskej identity v komunite reemigrantov z Bukoviny do ČSR. Studia historica Brunensia. 2022, vol. 69, iss. 1, pp. 57–68.

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Boček, Martin. S iluzí za novým životem : agitace pro vystěhovalectví do USA v habsburské monarchii. Studia historica Brunensia. 2022, vol. 69, iss. 1, pp. 5–21.

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Hachmeister, Maren. Care at home : voluntary care in the lives of those who provide and need help in three (post)socialist states. Studia historica Brunensia. 2022, vol. 69, iss. 1, pp. 175–194.

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Hromek, Martin. Protifrancouzský diskurz v Československu v 60. letech 20. století. Studia historica Brunensia. 2022, vol. 69, iss. 1, pp. 255–267.

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Jenšíková, Tereza. Dvojí pojetí národní identity : Erazim Kohák a Pavel Tigrid. Studia historica Brunensia. 2022, vol. 69, iss. 1, pp. 213–232.

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Foletti, Karolina. Hledání ztraceného domova : emigrantka Hélène Iswolsky a její kritika "sovětského humanismu". Studia historica Brunensia. 2022, vol. 69, iss. 1, pp. 113–132.

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Varaďa, Ondřej. Obraz domova v denících čs. legionářů. Studia historica Brunensia. 2022, vol. 69, iss. 1, pp. 69–96.

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Theatralia, 2022, vol. 25, issue 1.

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Plassard, Didier. Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.

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Raiterová, Eliška. To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.

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Orawczak Kunešová, Mariana, Béhar, Henri. Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.

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Šlaisová, Eva. Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.

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Jochmanová, Andrea. Lola Skrbková (1902–1978). Theatralia. 2022, vol. 25, iss. 1, pp. 189–203.

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Veselovska, Hanna. Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Jochmanová, Andrea, Orawczak Kunešová, Mariana. The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.

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Kosiński, Dariusz. Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.

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Šalounová, Kateřina. Konstanty, proměny a inovace tanečního vzdělávání v České republice. Theatralia. 2022, vol. 25, iss. 1, pp. 177–183.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.