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Displaying 121 - 150 of 194
Chapter
Havlíčková, Margita.
Editorial. In: Srba, Bořivoj. , Jeřábková, Olga. Divadlo, můj osud : setkávání s Bořivojem Srbou.
2019, pp. 7–8.
Chapter
Prameny a bibliografie. In: Srba, Bořivoj. , Jeřábková, Olga. Divadlo, můj osud : setkávání s Bořivojem Srbou.
2019, pp. 65–66.
Article
Brach, Jean-Pierre.
Illicit Christianity : Guillaume Postel, Kabbalah and a "transgender" Messiah. Religio. 2019, vol. 27, iss. 1, pp. 3–15.
Article
Havlíček, Jakub.
"Měřítko vytváří jev" : k pojetí obsahů a funkcí náboženství ve výzkumech religiozity v současné české společnosti. Religio. 2019, vol. 27, iss. 1, pp. 117–141.
Article
Žáková, Michaela, Fujda, Milan.
[Zwissler, Laurel. Religious, feminist, activist : cosmologies of interconnection]. Religio. 2019, vol. 27, iss. 1, pp. 146–148.
Article
Čomorová, Ivana.
[Abedi, Zohreh. "Alle Wesen bestehen aus Licht" : Engel in der persischen Philosophie und bei Suhrawardi]. Religio. 2019, vol. 27, iss. 1, pp. 143–144.
Article
Václavík, David.
[Vojtíšek, Zdeněk. Nová náboženství a násilí]. Religio. 2019, vol. 27, iss. 1, pp. 144–146.
Article
Revermann, Martin.
Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.
Article
Jovanovic, Nenad.
The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.
Article
Pontieri, Laura.
Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.
Article
Šlaisová, Eva.
Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.
Article
Schmid, Herta.
Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.
Article
Jestrović, Silvija.
Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.
Article
Revermann, Martin.
Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.
Article
Meerzon, Yana.
On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.
Article
Pérez-Simón, Andrés.
Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.
Article
Ambros, Veronika, Switzky, Lawrence.
"Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.
Article
Neuhuber, Christian.
Das Nikolsburger Piaristendrama Ein kurtzes Spiel oder Action von Bacchi Geburt Leben vnndt Todt (1654) : Kontext – Edition – Kommentar. Theatralia. 2019, vol. 22, iss. 2, pp. 13–78.
Article
Kubart, Tomáš.
"A teď jste všechno zkazili!" : CampQ. Theatralia. 2019, vol. 22, iss. 2, pp. 267–269.
Article
Ulrich, Paul S..
Die Dokumentation des deutschsprachigen Theaters in den böhmischen Ländern durch Theateralmanache und -journale. Theatralia. 2019, vol. 22, iss. 2, pp. 154–168.
Article
Štefanides, Jiří.
Společnost Josepha von Öttla v městském divadle v Olomouci (1780–1783). Theatralia. 2019, vol. 22, iss. 2, pp. 137–153.
Article
Vrbková, Jitka.
Divadlo diverzity : Theater RambaZamba v Berlíně. Theatralia. 2019, vol. 22, iss. 2, pp. 194–220.
Article
Solčániová, Ivona.
Perspektívy teatrológie 2019. Theatralia. 2019, vol. 22, iss. 2, pp. 251–256.