Search

Displaying 26581 - 26610 of 38670

Article

Revermann, Martin. Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.

Article

Jovanovic, Nenad. The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.

Article

Pontieri, Laura. Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.

Article

Šlaisová, Eva. Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.

Article

Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

Issue

Opera Slavica, 2003, vol. 13, issue 3.

Article

Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.

Article

Revermann, Martin. Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.

Article

Meerzon, Yana. On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.

Article

Pérez-Simón, Andrés. Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.

Article

Ambros, Veronika, Switzky, Lawrence. "Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.

Article

[Obsah rubriky Spektrum]. Theatralia. 2014, vol. 17, iss. 1, pp. 265–[266].

Article

Kačer, Tomáš. Proměna funkce posla v dramatu. Theatralia. 2014, vol. 17, iss. 1, pp. 286–300.

Article

[Obsah rubriky Orientace]. Theatralia. 2014, vol. 17, iss. 1, pp. 353–[354].

Issue

Opera Slavica, 2016, vol. 26, issue 4.

Article

Kokeš, Radomír D., Merenus, Aleš. Rozprava namísto úvodu: Drama, divadlo a film v perspektivě teorie vyprávění. Theatralia. 2014, vol. 17, iss. 1, pp. 267–271.

Article

[Obsah rubriky Yorick]. Theatralia. 2014, vol. 17, iss. 1, pp. 7–[8].

Article

Perůtková, Zuzana. Horní Lhota: Fašanky 2011. Kanalizace aneb Konec septiků v Čechách. Theatralia. 2014, vol. 17, iss. 1, pp. 212–225.

Article

Vojtasíková, Tereza. Jarní otvírání vinných sklípků v Kyjově, 28. 3. 2010. Theatralia. 2014, vol. 17, iss. 1, pp. 254–258.

Article

Merenus, Aleš. Jak vypráví drama aneb O generativním a inscenačním vypravěči, zcizovaném vyprávění, voice-overu a dalších vyprávěcích strategiích dramatu. Theatralia. 2014, vol. 17, iss. 1, pp. 301–314.

Article

Ambros, Veronika. Hledání jiného světa. Theatralia. 2014, vol. 17, iss. 1, pp. 363–365.

Issue

Opera Slavica, 2008, vol. 18, issue 4.

Article

Jevrejnov, Nikolaj. Scénické ztvárnění života. Ex cathedra. Theatralia. 2014, vol. 17, iss. 1, pp. 119–148.

Article

[Obsah rubriky Archiv]. Theatralia. 2014, vol. 17, iss. 1, pp. 117–[118].

Article

Satková, Naďa. Příčné řezy dějinami divadelní režie. Theatralia. 2014, vol. 17, iss. 1, pp. 366–367.

Article

Frýbertová, Tereza. Fasnacht. V Basileji karneval?. Theatralia. 2014, vol. 17, iss. 1, pp. 389–390.

Article

Černický, Viktor. Indie scéna nezávislá od hudby. Theatralia. 2014, vol. 17, iss. 1, pp. 151–179.

Article

Lánská, Dita. Martinské hody v Kyjově, 12.–14. 11. 2010. Theatralia. 2014, vol. 17, iss. 1, pp. 226–247.

Issue

Opera Slavica, 2019, vol. 29, issue 1.

Article

Pilátová, Jana. Teatra polskie. Historie ; Teatra polskie. Rok katastrofy. Theatralia. 2014, vol. 17, iss. 1, pp. 376–385.