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Šlaisová, Eva. "Aktualisace" in English scholarly literature : interpretation, ignorance, and misunderstanding. Theatralia. 2012, vol. 15, iss. 2, pp. 154–167.

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Havlíčková Kysová, Šárka. "Asian" theatre sign : its potential and its limits in the history of the Czech Structuralist thought. Theatralia. 2012, vol. 15, iss. 2, pp. 89–99.

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Ambros, Veronika, Switzky, Lawrence. "Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.

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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda. "Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.

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Brenna, Dwayne. "Rapturously Encored" : R.B. Nevitt's account of NWMP theatricals at Fort Macleod. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2004, vol. 53, iss. Q7, pp. 127–136.

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van Hensbergen, Claudine. The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669). Theatralia. 2021, vol. 24, iss. 1, pp. 11–33.

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Satková, Naďa. "Theatrology at a crossroads": notes from a conference. Theatralia. 2014, vol. 17, iss. 2, pp. 247–249.

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Grant, Teresa. "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.

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Havlíčková Kysová, Šárka. Acquiring 'a new way of thinking about theatre...'. Theatralia. 2020, vol. 23, iss. 1, pp. 171–173.

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Havlíčková Kysová, Šárka. Acting method as an (embodied) worldview. Theatralia. 2023, vol. 26, iss. 1, pp. 115–117.

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Krupa, Hilary. The actualization of time and the concept of space in the "Breaking of the illusion" in Milan Kundera's play, Jacques and his master. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2002, vol. 51, iss. Q5, pp. 81–92.

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Drábek, Pavel. A Czech dictionary of structuralist literary theory and criticism. Theatralia. 2020, vol. 23, iss. 1, pp. 168–170.

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Graziano, Alba. Address pronouns revisited: a case of theatre and translation pragmatics. Theatralia. 2021, vol. 24, iss. 1, pp. 119–135.

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Havlíčková Kysová, Šárka. A fresh approach to old issues. Theatralia. 2014, vol. 17, iss. 2, pp. 241–243.

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Drábek, Pavel. A Great German Pickelhäring and a Beheaded Virgin Saint. Theatralia. 2015, vol. 18, iss. 2, pp. 499–502.

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Havlíčková Kysová, Šárka. A journey into theatrical space : the project of the Scenographic encyclopaedia and its Prolegomena. Theatralia. 2011, vol. 14, iss. 1, pp. 244–253.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Pontieri, Laura. Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.

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Drábek, Pavel. [Appendices]. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 180–205.

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Havlíčková Kysová, Šárka, Příhodová, Barbora. Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s). Theatralia. 2014, vol. 17, iss. 2, pp. 111–121.

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Jochmanová, Andrea. Archive of costume designer Inez Tuschnerová. Theatralia. 2023, vol. 26, iss. 1, pp. 138–151.

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Schmid, Herta. Aristotelism in Czech structuralism : Jan Mukařovský and Otakar Zich. Theatralia. 2020, vol. 23, iss. 1, pp. 44–53.

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Osolsobě, Petr. The Aristotelian perspective in Otakar Zich's The Aesthetics of Dramatic Art. Theatralia. 2020, vol. 23, iss. 1, pp. 30–43.