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Croci, Chiara. "Abbreviated" depictions? : questions on the earliest Christian images. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 60–77.

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Šlaisová, Eva. "Aktualisace" in English scholarly literature : interpretation, ignorance, and misunderstanding. Theatralia. 2012, vol. 15, iss. 2, pp. 154–167.

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Havlíčková Kysová, Šárka. "Asian" theatre sign : its potential and its limits in the history of the Czech Structuralist thought. Theatralia. 2012, vol. 15, iss. 2, pp. 89–99.

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Mitchell, John, Pickwoad, Nicholas. "Blessed are the eyes which see divine spirit through the letter's veil" : the book as object and idea. Convivium. 2019, vol. 6, iss. Supplementum, pp. 134–159.

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Štědroň, Bohumír. "Ej, danaj" and "Zelené sem sela" in the Opera Jenufa by Janáček. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1970, vol. 19, iss. H5, pp. 91–104.

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Voříšek, Martin. "Die rechte Liebe grünet auf Beständigkeit", or "Gelosia, filia è d'amor"? : love and virtue in two wedding operas from the milieu of the mid-18th century Schwarzenberg court. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 205–222.

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Dercks, Ute. "... dove l'epidemia fotografica si è diffusa" : architectural photographs in nineteenth-century Sicily. Convivium. 2019, vol. 6, iss. 2, pp. 30–45.

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Ambros, Veronika, Switzky, Lawrence. "Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.

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Chew, Geoffrey. "Literaturoper" : a term still in search of a definition. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2007-2008, vol. 56-57, iss. H42-43, pp. 5–13.

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Palladino, Adrien, Scirocco, Elisabetta. The "Middle Ages"' interconnectedness. Convivium. 2021, vol. 8, iss. 2, pp. 11–12.

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Cianciolo Cosentino, Gabriella. The "Mongrel style" : one century of use and abuse of Sicilian syncretism. Convivium. 2018, vol. 5, iss. 1, pp. 202–219.

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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda. "Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.

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Žáčková Rossi, Michaela. "...questo Bassista è buona persona..." : a short overview of sources for the Rudolfine Imperial court environment's studies. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 155–167.

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Brenna, Dwayne. "Rapturously Encored" : R.B. Nevitt's account of NWMP theatricals at Fort Macleod. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2004, vol. 53, iss. Q7, pp. 127–136.

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Foletti, Ivan, Palladino, Adrien, Debiais, Vincent, Sparhubert, Éric, Voyer, Cécile. "Romanesque" Conques as a neo-Carolingian project. Convivium. 2021, vol. 8, iss. 2, pp. 168–174.

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van Hensbergen, Claudine. The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669). Theatralia. 2021, vol. 24, iss. 1, pp. 11–33.

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Calvi, Lisanna. "This may appear unmanly Tenderness". Homosocial bonds and (un)ruly women in George Granville's The Jew of Venice (1701). Theatralia. 2021, vol. 24, iss. 1, pp. 61–77.

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Satková, Naďa. "Theatrology at a crossroads": notes from a conference. Theatralia. 2014, vol. 17, iss. 2, pp. 247–249.

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Grant, Teresa. "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.

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Tyrrell, John. Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.

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Lexová, Petra. A colourful atlas of artistic practice. Art East Central. 2022, vol. [2], iss. 2, pp. 139–145.

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Moraschi, Annalisa. A mutual presentation : precocious interests for medieval Armenia in nineteenth-century Italy. Convivium. 2023, vol. 10, iss. Supplementum 1, pp. 116–133.

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Foletti, Ivan, Okáčová, Marie, Palladino, Adrien. A radical turn? : "late antique" anxiety, rupture, and creative continuity. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 11–21.

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Ciglenečki, Marjeta. A set of verdure tapestries in Ptuj cast. In: Orbis artium : k jubileu Lubomíra Slavíčka. 2009, pp. 721–735.

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Alibhai, Ali Asgar H.. A tale of two port cities : Al-Mahdiyya, Palermo, and the timber trade of the medieval Mediterranean. Convivium. 2023, vol. 10, iss. 1, pp. 46–67.

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Spampinato, Beatrice. A theoretical topography of architecture : on the problematic connections between Rome, Byzantium, and Armenia in Italian historiography (1914–1945). Convivium. 2023, vol. 10, iss. Supplementum 1, pp. 134–151.

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Federici, Angelica. Art, architecture, and aesthetics in the baronial convents of medieval Latium. Convivium. 2022, vol. 9, iss. Supplementum 1, pp. 92–111.

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Efthimiou, Charris. About the instrumentation of bass and melody line in Leoš Janáček's Sinfonietta and Mládí. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 31–43.

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Drobe, Christian. Abstraction in Hungary. Art East Central. 2021, vol. 1, iss. 1, pp. 147–151.

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Kolbiarz Chmelinová, Katarína. Academician on the periphery : Johann Georg Walter in Modra. Opuscula historiae artium. 2022, vol. 71, iss. 1-2, pp. 106–119.