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Rozwalka, Zuzana. Zeyerův "kjógen" Lásky div. Theatralia. 2019, vol. 22, iss. 2, pp. 169–193.

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Šík, Jan-Marek. Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.

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Kovářová, Kateřina. What else can nature mean : an ecocritical perspective on Cormac McCarthy's fiction. Theory and Practice in English Studies. 2019, vol. 8, iss. 2, pp. 43–60.

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Esteban-Segura, Laura. The Wise Book of Astronomy and Philosophy in London, Wellcome Library, MS 411 (ff. 32r–37v). Brno studies in English. 2019, vol. 45, iss. 1, pp. 43–56.

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Havlíčková, Margita, Neuhuber, Christian, Škrobánková, Klára. Das vielsprachige Theater Tschechiens in der Frühen Neuzeit : Vorwort, Editorial. Theatralia. 2019, vol. 22, iss. 2, pp. 7–11.

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Prada, Georgeta. Voix identitaires et intimes dans Tout ce qu'on ne te dira pas, Mongo. The Central European journal of Canadian studies. 2019, vol. 14, iss. [1], pp. 63–75.

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Dossena, Marina. Usage guides, social commentary and views on education in Late Modern Scotland. Brno studies in English. 2019, vol. 45, iss. 1, pp. 25–42.

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Gualberto, Rebeca. Unmasking romance in The Tempest : politics, theatre and T.S. Eliot. Brno studies in English. 2019, vol. 45, iss. 1, pp. 111–128.

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Žárská, Lenka. Translation of language varieties in the Flemish dubbing of Harry Potter and the Prizoner of Azkaban. Theory and Practice in English Studies. 2019, vol. 8, iss. 1, pp. 23–34.

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Reda, Maciej. Thematic structure vs. information structure in the analysis of translation shifts. Brno studies in English. 2019, vol. 45, iss. 2, pp. 139–154.

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Lukáš, Miroslav. Das Theater zur Zeit des Fürsten Leopold Ignaz von Dietrichstein. Theatralia. 2019, vol. 22, iss. 2, pp. 93–106.

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Perregaard, Bettina. The temporality of truth : deception and self-deception in Ingmar Bergman's The Best Intentions. Theatralia. 2019, vol. 22, iss. 1, pp. 31–44.

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Martínez Serrano, Leonor María. The stars on the page, the voice in the sky : myth, Ovid and the Cree elders in Robert Bringhurst's Ursa Major. The Central European journal of Canadian studies. 2019, vol. 14, iss. [1], pp. 149–165.

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Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.

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Štefanides, Jiří. Společnost Josepha von Öttla v městském divadle v Olomouci (1780–1783). Theatralia. 2019, vol. 22, iss. 2, pp. 137–153.

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Merenus, Aleš. Slovník moderního českého dramatu. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 9–12.

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Hanáčková, Andrea, Bojda, Tomáš. Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.

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Thomas, Alfred. Shakespeare's Bohemia : terror and toleration in early modern Europe. Brno studies in English. 2019, vol. 45, iss. 1, pp. 191–209.

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Merenus, Aleš. Seznam zastřešujících názvů českých profesionálních divadelních scén. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 71–76.

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Merenus, Aleš. Seznam použitých zkratek. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 69–70.

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Stehlíková, Eva. The Seventh Seal on the Czech stage. Theatralia. 2019, vol. 22, iss. 1, pp. 61–75.

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Kyloušek, Petr. Qui sont aujourd'hui les nomades et les sédentaires de la littérature québécoise?. The Central European journal of Canadian studies. 2019, vol. 14, iss. [1], pp. 11–24.

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Havlíčková, Margita, Blecha, Jaroslav. Rozhovor s Jaroslavem Blechou. Theatralia. 2019, vol. 22, iss. 2, pp. 221–229.

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Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

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Herrando-Rodrigo, Isabel. Raising awareness around writers' voice in academic discourse : an analysis of writers' (in)visibility. Brno studies in English. 2019, vol. 45, iss. 2, pp. 53–76.

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Krajník, Filip, Drábek, Pavel, Drozd, David, Mikyšková, Anna, Škrobánková, Klára. Prolegomena k projektu Anglická divadelní kultura 1660–1737. Theatralia. 2019, vol. 22, iss. 2, pp. 270–273.