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Displaying 61 - 90 of 317

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Havlíčková Kysová, Šárka. Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 189–208.

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Hanáčková, Andrea, Bojda, Tomáš. Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.

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Cinpoeş, Nicoleta. Shakestivalling' in the New Europe. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 83–101.

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Volceanov, George. Shakespeare on the page in Romania: before and after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 33–46.

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Cetera-Włodarczyk, Anna. Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.

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Reuss, Gabriella. Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.

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Drábek, Pavel. Shakespeare's treasure trove of Italian tales. Theatralia. 2021, vol. 24, iss. 1, pp. 274–278.

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Stehlíková, Eva. The Seventh Seal on the Czech stage. Theatralia. 2019, vol. 22, iss. 1, pp. 61–75.

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Pavis, Patrice. Semiology after semiology. Theatralia. 2012, vol. 15, iss. 2, pp. 37–49.

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Koubská, Vlasta. Scenographer Antonín Heythum and his work in the US: the case of King Lear. Theatralia. 2018, vol. 21, iss. 2, pp. 38–63.

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Pelikánová, Lucie. The scenic designs of Karel Zmrzlý. Theatralia. 2011, vol. 14, iss. 1, pp. 192–203.

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Locke, Brian S.. Ruthless polyphony and audible silences : musico-dramatic narrative in Otakar Zich's Vina. Theatralia. 2020, vol. 23, iss. 1, pp. 62–80.

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Lazorčáková, Tatjana. Jan Roubal and his complex and complementary 'thought' on theatre. Theatralia. 2016, vol. 19, iss. 2, pp. 139–141.

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Kunderová, Radka, Balme, Christopher. The risks are fairly clear' : interview with Christopher Balme. Theatralia. 2021, vol. 24, iss. 2, pp. 161–166.

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Drábek, Pavel. Review of How Theatre Means. Theatralia. 2015, vol. 18, iss. 2, pp. 493–498.

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Marková, Sylva. Review of Talking Scenography: Conversations between Jarka Burian and Josef Svoboda. Theatralia. 2015, vol. 18, iss. 2, pp. 481–484.

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Billing, Christian M.. Review of Jan Švankmajer: Dimensions of Dialogue Between Film and Art. Theatralia. 2015, vol. 18, iss. 2, pp. 477–480.

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Drábek, Pavel. Review of The Routledge Companion to Puppetry and Material Performance. Theatralia. 2015, vol. 18, iss. 2, pp. 471–476.

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Daníčková, Eva. Review of The Routledge Companion to Dramaturgy. Theatralia. 2015, vol. 18, iss. 2, pp. 485–489.

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Billing, Christian M.. Review of The Puppet and the Modern. Theatralia. 2015, vol. 18, iss. 2, pp. 466–470.

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Drábek, Pavel. Review of Petr Matásek – the scenographic puppet master. Theatralia. 2015, vol. 18, iss. 2, pp. 463–465.

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Billing, Christian M.. Review of Josef Svoboda: scenographer by Helena Albertová. Theatralia. 2011, vol. 14, iss. 1, pp. 270–276.

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Daníčková, Eva. Review of Dramaturgy in the Making: A User's Guide for Theatre Practitioners. Theatralia. 2015, vol. 18, iss. 2, pp. 490–492.

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Hájková, Simona. Revisiting Restoration theatre through transnational interactions. Theatralia. 2021, vol. 24, iss. 1, pp. 303–308.