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Kačer, Tomáš, Drozd, David. (Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.

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Morini, Massimiliano. Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.

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Krajník, Filip. Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.

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Bernátek, Martin. The Renaissance of Czech puppetry and the cinema. Theatralia. 2015, vol. 18, iss. 2, pp. 135–167.

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Veselovska, Hanna, Ruban, Viktor. Reconstructing the glorious past : Bronislava Nijinska's School of Movement. Theatralia. 2022, vol. 25, iss. 2, pp. 203–222.

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Földváry, Kinga. Reappropriations of Shakespearean history on the post-communist Hungarian stage. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 239–253.

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Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

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Zich, Otakar. Puppet theatre. Theatralia. 2015, vol. 18, iss. 2, pp. 505–513.

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Ambros, Veronika. Puppets, statues, men, objects, and the Prague School. Theatralia. 2012, vol. 15, iss. 2, pp. 74–88.

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Lech, Kasia. Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta's Polish productions. Theatralia. 2015, vol. 18, iss. 2, pp. 277–302.

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Havlíčková, Margita. Professional Theatre in Brno between 1668 and 1733. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733. 2012, pp. 160.

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Ray, K. Mohit. Problems of evaluating a Sanskrit drama by western standard. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2007, vol. 56, iss. Q10, pp. 131–141.

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Havlíčková Kysová, Šárka. Presages of contemporary theatre studies theories in Vladimír Jindra's structuralist theory of scenography. Theatralia. 2023, vol. 26, iss. 1, pp. 82–100.

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Přidalová, Jana. Překlad Macbetha z konce 18. století (H. Kukla). Theatralia. 2010, vol. 13, iss. 2, pp. 94–106.

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Šlaisová, Eva. The Prague School's contribution to the theory of intermediality. Theatralia. 2014, vol. 17, iss. 2, pp. 41–49.

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Bernátek, Martin. The Prague Linguistic Circle and the Prager Presse : a remark on the science in interwar Czechoslovakia. Theatralia. 2014, vol. 17, iss. 2, pp. 175–187.

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Ambros, Veronika. Prague Linguistic Circle in English: semantic shifts in selected texts and their consequences. Theatralia. 2014, vol. 17, iss. 2, pp. 148–161.

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Drábek, Pavel. PQ 2023 is inviting you! : PQ Best Publication Award in Performance Design & Scenography. Theatralia. 2023, vol. 26, iss. 1, pp. 118–121.

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Posters of Bergman's movies. Theatralia. 2019, vol. 22, iss. 1, pp. 141–149.

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Cetera-Włodarczyk, Anna, Pożar, Przemysław. Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.

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Čiripová, Dáša. Political body in relation to memory and history. Theatralia. 2022, vol. 25, iss. 2, pp. 155–157.

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Konývková, Tereza, Arntzen, Knut Ove. Polarity and coherence of 'making' and 'viewing' in contemporary theatre theory and practice : interview with Knut Ove Arntzen. Theatralia. 2016, vol. 19, iss. 2, pp. 130–132.

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Kolařík, Aleš. Poetics and contexts of unofficial drama in a totalitarianism. Theatralia. 2022, vol. 25, iss. 2, pp. 167–171.

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Jovanović, Nenad. Playing for and against the microphone : the theatrical soundstage, the cinematic meeting interface. Theatralia. 2023, vol. 26, iss. 1, pp. 11–28.

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Meerzon, Yana. Playing a tyrant – rethinking an autocrat in Asya Voloshina's Antigona: Redukciia. Theatralia. 2023, vol. 26, iss. 1, pp. 29–54.