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Two Smetana biographies in English. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1973, vol. 22, iss. H8, pp. 185–186.

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Richards, John. Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.

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Bacci, Michele. Site-worship and the iconopoietic power of kinetic devotions. Convivium. 2019, vol. 6, iss. 1, pp. 20–47.

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Havlíčková Kysová, Šárka. Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 189–208.

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Hanáčková, Andrea, Bojda, Tomáš. Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.

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Kumler, Aden. Signatis... vultus tui : (Re) impressing the Holy Face before and after the European Cult of the Veronica. Convivium. 2017, vol. 4, iss. Supplementum, pp. 102–113.

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Bunce, Megan. Shrines, special burials, and the Christianization of Britain. Convivium. 2021, vol. 8, iss. Supplementum 3, pp. 128–145.

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Cinpoeş, Nicoleta. Shakestivalling' in the New Europe. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 83–101.

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Volceanov, George. Shakespeare on the page in Romania: before and after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 33–46.

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Cetera-Włodarczyk, Anna. Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.

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Reuss, Gabriella. Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.

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Drábek, Pavel. Shakespeare's treasure trove of Italian tales. Theatralia. 2021, vol. 24, iss. 1, pp. 274–278.

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Stehlíková, Eva. The Seventh Seal on the Czech stage. Theatralia. 2019, vol. 22, iss. 1, pp. 61–75.

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Adámková, Iva. The sense of sight in the prologues of Theophilus Presbyter's De diversis artibus. Convivium. 2021, vol. 8, iss. 1, pp. 132–141.

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Pavis, Patrice. Semiology after semiology. Theatralia. 2012, vol. 15, iss. 2, pp. 37–49.

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Frantová, Zuzana. Seeking the place of the object in art history. In: Frantová, Zuzana. Hereze a loajalita : slonovinový Diptych z pěti částí z pokladu katedrály v Miláně. 2014, pp. 100–107.

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Rossi Vairo, Giulia. Seeing double in Odivelas : nuns and monks at the Monastery of St Dinis, a royal pantheon in late medieval Portugal. Convivium. 2022, vol. 9, iss. Supplementum 1, pp. 76–91.

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Silva, Joseph M.. Securing the Mediterranean : Cosimo I de' Medici and Portoferraio. Convivium. 2023, vol. 10, iss. 1, pp. 150–165.

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Svoboda, František. Searching for ideal price discrimination in the history of opera : lottery as a way to get a consumer surplus. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 119–136.

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Racek, Jan. Schlusswort. In: Racek, Jan. Stilprobleme der italienischen Monodie : ein Beitrag zur Geschichte des einstimmigen Barockliedes. 1965, pp. 213–215.

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Koubská, Vlasta. Scenographer Antonín Heythum and his work in the US: the case of King Lear. Theatralia. 2018, vol. 21, iss. 2, pp. 38–63.

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Pelikánová, Lucie. The scenic designs of Karel Zmrzlý. Theatralia. 2011, vol. 14, iss. 1, pp. 192–203.