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Leszczyńska, Agnieszka. Liturgical function and Gregorian chant in the music of Paulus Bucenus. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 91–102.

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Horáková, Jana. Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.

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Haas, Petr. The language of the assistant and the language of the creator : selected aspects of computer assisted composition. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 121–139.

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Beckerman, Michael. Klein the Janáčkian. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 25–33.

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Osolsobě, Petr. Kierkegaard's aesthetics of music : a concept of the musical erotic. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1992-1993, vol. 41-42, iss. H27-28, pp. 97–106.

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Slouka, Petr. Johann Heinrich Schmelzer's serenata for the celebrations of Maria Antonia Habsburg's birthday. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 243–251.

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Chew, Geoffrey. Jenůfa as a social document. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2007-2008, vol. 56-57, iss. H42-43, pp. 39–45.

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Macek, Petr. Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.

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Levi, Erik. Janáček and the Third Reich. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2007-2008, vol. 56-57, iss. H42-43, pp. 69–79.

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Štědroň, Miloš. Janáček and the paraphrase of operetta music? : marginalia on a passage in the fourth movement of Janáček's second string quartet "Intimate letters" that could seem to be suspicious for serving as a "mockery of the banal". Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2001-2002, vol. 50-51, iss. H36-37, pp. 31–37.

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Christiansen, Paul. Was Janáček obsessed?. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2007-2008, vol. 56-57, iss. H42-43, pp. 117–122.

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Tyrrell, John. Janáček and modernism. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2006, vol. 55, iss. H41, pp. 225–230.

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Tyrrell, John. Janáček, religion and belief. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 209–215.

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Weiss, Jernej. Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 129–138.

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Stockigt, Janice B.. Italian sacred music listed in the catalogue of Dresden's Catholic court church, 1765. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 221–237.

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Stýblová, Magdaléna. Italian music in the inventories of Nitra from the 18th and early 19th centuries. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 271–280.

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Kratochvílová, Jana. Inventory from 1761 of the deanery Church of Assumption of the Virgin Mary in Most. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 161–177.

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Fukač, Jiří. Inventing Eastern roots. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2001-2002, vol. 50-51, iss. H36-37, pp. 23–29.

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Střítecký, Jaroslav. Intonation as a problem. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1968, vol. 17, iss. H3, pp. 99–116.

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Macek, Petr, Poledňák, Ivan. In memoriam on the seventieth birthday of Jiří Fukač. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2003-2005, vol. 52-54, iss. H38-40, pp. 7–13.

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Flašar, Martin. Iannis Xenakis. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 68–90.

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Spurný, Lubomír. The Hába school. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 141–148.

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Procházková, Adéla. Henry Lefebvre's rhythmanalysis as a tool for comprehensive listening of the city. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 97–104.

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Nedbal, Martin. Heinrich Wilhelm Haugwitz and the reception of Mozart's operas in early nineteenth-century Moravia. Musicologica Brunensia. 2021, vol. 56, iss. 1, pp. 43–57.

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Beckerman, Michael. Garlic Soup and Zimmermann's Festschrift. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 37–40.