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Rozwalka, Zuzana. Zeyerův "kjógen" Lásky div. Theatralia. 2019, vol. 22, iss. 2, pp. 169–193.

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Gellérfi, Gergő. Xenophobic utterances in Juvenal's Satires. Graeco-Latina Brunensia. 2019, vol. 24, iss. 1, pp. 81–91.

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Šík, Jan-Marek. Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.

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Králová, Magda. When Óðinn meets Pompey : Norse and classical elements in English literature at the turn of the 18th and 19th century. Graeco-Latina Brunensia. 2019, vol. 24, iss. 2, pp. 125–141.

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Havlíčková, Margita, Neuhuber, Christian, Škrobánková, Klára. Das vielsprachige Theater Tschechiens in der Frühen Neuzeit : Vorwort, Editorial. Theatralia. 2019, vol. 22, iss. 2, pp. 7–11.

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Sampatakakī, Maria. [Tučková, Kateřina. Οι θεές της Ζίτκοβα]. Neograeca Bohemica. 2019, vol. 19, iss. [1], pp. 98–100.

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Lukáš, Miroslav. Das Theater zur Zeit des Fürsten Leopold Ignaz von Dietrichstein. Theatralia. 2019, vol. 22, iss. 2, pp. 93–106.

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Perregaard, Bettina. The temporality of truth : deception and self-deception in Ingmar Bergman's The Best Intentions. Theatralia. 2019, vol. 22, iss. 1, pp. 31–44.

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Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.

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Meško, Marek. Some thoughts on the military capabilities of Alexios I Komnenos: battles of Dyrrachion (1081) and Dristra (1087). Graeco-Latina Brunensia. 2019, vol. 24, iss. 2, pp. 143–161.

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Štefanides, Jiří. Společnost Josepha von Öttla v městském divadle v Olomouci (1780–1783). Theatralia. 2019, vol. 22, iss. 2, pp. 137–153.

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Kalaš, Andrej, Škvrnda, František. Socrates on deception, thievery and violence: towards situational ethics?. Graeco-Latina Brunensia. 2019, vol. 24, iss. 2, pp. 67–77.

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Cabrillana, Concepción. Sobre la naturaleza de las cualidades expresadas por el Predicativo con verbos estativos en latín. Graeco-Latina Brunensia. 2019, vol. 24, iss. 1, pp. 17–28.

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Merenus, Aleš. Slovník moderního českého dramatu. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 9–12.

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Hanáčková, Andrea, Bojda, Tomáš. Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.

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Merenus, Aleš. Seznam zastřešujících názvů českých profesionálních divadelních scén. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 71–76.

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Merenus, Aleš. Seznam použitých zkratek. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 69–70.

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Stehlíková, Eva. The Seventh Seal on the Czech stage. Theatralia. 2019, vol. 22, iss. 1, pp. 61–75.

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Havlíčková, Margita, Blecha, Jaroslav. Rozhovor s Jaroslavem Blechou. Theatralia. 2019, vol. 22, iss. 2, pp. 221–229.

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Karasová, Nikola. Řecký antikomunismus z pohledu protikomunistické legislativy (1917–1967). Neograeca Bohemica. 2019, vol. 19, iss. [1], pp. 48–68.

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Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

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Krajník, Filip, Drábek, Pavel, Drozd, David, Mikyšková, Anna, Škrobánková, Klára. Prolegomena k projektu Anglická divadelní kultura 1660–1737. Theatralia. 2019, vol. 22, iss. 2, pp. 270–273.

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Kovács, Tamás. Procopius's Sibyl - the fall of Vitigis and the Ostrogoths. Graeco-Latina Brunensia. 2019, vol. 24, iss. 2, pp. 113–124.