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Klein, Pavel. Zinajda Nikolajevna Gippiusová (1867-1945) : bibliografický soupis základní literatury. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2002, vol. 51, iss. Q5, pp. 123–126.

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Drozd, David, Spurná, Helena, Bártová, Jindřiška, Flašar, Martin, Drábek, Pavel, Zahrádka, Jiří, Částková, Patricie, Kovaříková, Hana, Hložková, Hana. Zich's Guilt – reactions to the concert performance of extracts. Theatralia. 2018, vol. 21, iss. 2, pp. 223–235.

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Rogošić, Višnja. 100 years of Croatian set design and costume design 1909‒2009. Theatralia. 2014, vol. 17, iss. 2, pp. 227–229.

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Šík, Jan-Marek. Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.

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Day, Moira. Women and the Western Canadian theatre 1918-1960. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2005, vol. 54, iss. Q8, pp. 185–195.

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Zálešáková, Tereza. What makes British musicals uniquely British?. Theatralia. 2018, vol. 21, iss. 2, pp. 208–210.

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Katritzky, M. A.. William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals. Theatralia. 2021, vol. 24, iss. 1, pp. 313–356.

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Příhodová, Barbora. Where theory meets the practice: Jaroslav Malina's space, function and sign in scenography and painting. Theatralia. 2014, vol. 17, iss. 2, pp. 191–222.

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Plassard, Didier. Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.

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Kunderová, Radka, Warstat, Matthias. We must take these risks : interview with Matthias Warstat. Theatralia. 2018, vol. 21, iss. 2, pp. 182–186.

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Šalounová, Kateřina. When audience in a theatre used to be a natural thing. Theatralia. 2021, vol. 24, iss. 1, pp. 279–283.

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Příhodová, Barbora. Výběrová bibliografie. In: Příhodová, Barbora. , Svoboda, Josef. , Burian, Jarka. Scénografie mluví : hovory Jarky Buriana s Josefem Svobodou. 2014, pp. 271–278.

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Fergusson, Cat. Visualising process: Hofman's 1926 Hamlet reconstructive practice. Theatralia. 2018, vol. 21, iss. 2, pp. 15–28.

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Bulandrová, Amálie, Arntzen, Knut Ove. Visual dramaturgy : interview with Knut Ove Arntzen. Theatralia. 2020, vol. 23, iss. 2, pp. 163–168.

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Pożar, Przemysław. The vacant utopia : reflecting on the first Polish post-war staging of The Tempest. Theatralia. 2020, vol. 23, iss. 1, pp. 131–149.

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Stehlíková, Eva. Úvodem. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2008, vol. 57, iss. Q11, pp. 5–8.

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Turzíková, Tereza. The urge to share knowledge. Theatralia. 2018, vol. 21, iss. 2, pp. 217–219.

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Coelho, Rui Pina. Updating the experiment : two Portuguese theatre anthologies. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2007, vol. 56, iss. Q10, pp. 183–186.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Braga Riera, Jorge. Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.

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Vršecká, Kateřina. Towards a way of reading scenic space in dramatic texts of the Czech Middle Ages. Theatralia. 2011, vol. 14, iss. 1, pp. 65–81.

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Raiterová, Eliška. To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.

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Stehlíková, Eva. How to present ancient theatre on television. Theatralia. 2018, vol. 21, iss. 2, pp. 214–216.

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Drábek, Pavel. To the reader. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 7–8.

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Vodička, Libor. Are these the last volumes of Czech Theatrical Encyclopaedia?. Theatralia. 2016, vol. 19, iss. 2, pp. 133–136.

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Turzíková, Tereza. Theatrical mind: from tradition to new frontiers. Theatralia. 2022, vol. 25, iss. 2, pp. 183–185.

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Drábek, Pavel. Theatre and theory: modern conventions of ideology. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 41–60.