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Displaying 91 - 120 of 371

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Locke, Brian S.. Ruthless polyphony and audible silences : musico-dramatic narrative in Otakar Zich's Vina. Theatralia. 2020, vol. 23, iss. 1, pp. 62–80.

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Lazorčáková, Tatjana. Jan Roubal and his complex and complementary 'thought' on theatre. Theatralia. 2016, vol. 19, iss. 2, pp. 139–141.

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Pečjak, Vid. Rostohar as an anticipator of great ideas. Sborník prací Filozofické fakulty brněnské univerzity. P, Řada psychologická. 1999, vol. 47, iss. P3, pp. 71–76.

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Kunderová, Radka, Balme, Christopher. The risks are fairly clear' : interview with Christopher Balme. Theatralia. 2021, vol. 24, iss. 2, pp. 161–166.

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Drábek, Pavel. Review of How Theatre Means. Theatralia. 2015, vol. 18, iss. 2, pp. 493–498.

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Marková, Sylva. Review of Talking Scenography: Conversations between Jarka Burian and Josef Svoboda. Theatralia. 2015, vol. 18, iss. 2, pp. 481–484.

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Billing, Christian M.. Review of Jan Švankmajer: Dimensions of Dialogue Between Film and Art. Theatralia. 2015, vol. 18, iss. 2, pp. 477–480.

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Drábek, Pavel. Review of The Routledge Companion to Puppetry and Material Performance. Theatralia. 2015, vol. 18, iss. 2, pp. 471–476.

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Daníčková, Eva. Review of The Routledge Companion to Dramaturgy. Theatralia. 2015, vol. 18, iss. 2, pp. 485–489.

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Billing, Christian M.. Review of The Puppet and the Modern. Theatralia. 2015, vol. 18, iss. 2, pp. 466–470.

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Drábek, Pavel. Review of Petr Matásek – the scenographic puppet master. Theatralia. 2015, vol. 18, iss. 2, pp. 463–465.

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Billing, Christian M.. Review of Josef Svoboda: scenographer by Helena Albertová. Theatralia. 2011, vol. 14, iss. 1, pp. 270–276.

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Daníčková, Eva. Review of Dramaturgy in the Making: A User's Guide for Theatre Practitioners. Theatralia. 2015, vol. 18, iss. 2, pp. 490–492.

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Hájková, Simona. Revisiting Restoration theatre through transnational interactions. Theatralia. 2021, vol. 24, iss. 1, pp. 303–308.

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Kačer, Tomáš, Drozd, David. (Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.

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Sedlák, Jiří. Resumé : problems of active social programme learning. In: Sedlák, Jiří. Otázky sociálního učení. 1984, pp. 281–284.

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Morini, Massimiliano. Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.

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Krajník, Filip. Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.

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Bernátek, Martin. The Renaissance of Czech puppetry and the cinema. Theatralia. 2015, vol. 18, iss. 2, pp. 135–167.

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Dvořáková, Jana. Relationship representation in the process of real-life moral judgment. Sborník prací Filozofické fakulty brněnské univerzity. P, Řada psychologická. 2006, vol. 54, iss. P10, pp. 71–76.

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Veselovska, Hanna, Ruban, Viktor. Reconstructing the glorious past : Bronislava Nijinska's School of Movement. Theatralia. 2022, vol. 25, iss. 2, pp. 203–222.

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Földváry, Kinga. Reappropriations of Shakespearean history on the post-communist Hungarian stage. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 239–253.

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Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

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Zich, Otakar. Puppet theatre. Theatralia. 2015, vol. 18, iss. 2, pp. 505–513.

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Ambros, Veronika. Puppets, statues, men, objects, and the Prague School. Theatralia. 2012, vol. 15, iss. 2, pp. 74–88.

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Lech, Kasia. Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta's Polish productions. Theatralia. 2015, vol. 18, iss. 2, pp. 277–302.

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Heretik, Anton, Hajdúk, Michal. Psychometric properties of the Slovak version of the Temperament and Character Inventory (TCI-R) – a preliminary analysis. Annales psychologici. 2014, vol. 1 (15), iss. 2, pp. 5–11.