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Article
Šík, Jan-Marek.
Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.
Chapter
Lukáš, Miroslav.
Theater in Mikulov during the era of the Dietrichstein family : (from the end of the 16th century to the Second World War) : summary. In: Lukáš, Miroslav. Divadlo v Mikulově za éry rodu Dietrichsteinů : (od konce 16. století do druhé světové války).
2019, pp. 159–161.
Article
Perregaard, Bettina.
The temporality of truth : deception and self-deception in Ingmar Bergman's The Best Intentions. Theatralia. 2019, vol. 22, iss. 1, pp. 31–44.
Article
Jestrović, Silvija.
Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.
Article
Hanáčková, Andrea, Bojda, Tomáš.
Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.
Article
Stehlíková, Eva.
The Seventh Seal on the Czech stage. Theatralia. 2019, vol. 22, iss. 1, pp. 61–75.
Article
Schmid, Herta.
Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.
Article
Švachová, Romana.
Persona revisited : filling in the gaps via the original script. Theatralia. 2019, vol. 22, iss. 1, pp. 13–30.
Article
Sosnowska, Dorota.
Performing memory – workers' strikes in post-war Poland. Theatralia. 2019, vol. 22, iss. 1, pp. 89–96.
Article
Šlaisová, Eva.
Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.
Article
Meerzon, Yana.
On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.
Article
Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 85–88.
Article
Jovanovic, Nenad.
The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.
Article
Stehlíková, Karolína.
The master and his manuscript. Theatralia. 2019, vol. 22, iss. 1, pp. 122–125.
Article
Pérez-Simón, Andrés.
Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.
Article
Tóthová, Kristína.
Ingmar Bergman, the multimedial author. Theatralia. 2019, vol. 22, iss. 1, pp. 129–131.
Article
Dlask, Jan.
Ingmar Bergman's Guests at the Last Supper in the time of nuclear threats. Theatralia. 2019, vol. 22, iss. 1, pp. 76–87.
Article
Stehlíková, Karolína.
Ingmar Bergman's afterlife. Theatralia. 2019, vol. 22, iss. 1, pp. 9–12.
Article
Solčániová, Ivona.
Ingmar Bergman's 100th anniversary celebration in the Czech Republic. Theatralia. 2019, vol. 22, iss. 1, pp. 132–136.
Article
Březinová, Helena.
Helena Kadečková (14 August 1932 – 30 June 2018). Theatralia. 2019, vol. 22, iss. 1, pp. 137–140.
Article
Holmberg, Jan.
Film jako zajížďka : Ingmar Bergman jako spisovatel. Theatralia. 2019, vol. 22, iss. 1, pp. 105–113.
Article
Revermann, Martin.
Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.
Article
Stehlíková, Karolína, Černík, Zbyněk.
Between film, short story and novel : interview with Zbyněk Černík. Theatralia. 2019, vol. 22, iss. 1, pp. 97–100.
Article
Drozd, David.
Bergman's theatre is the serious game. Theatralia. 2019, vol. 22, iss. 1, pp. 115–118.
Article
Stehlíková, Karolína, Holmberg, Jan.
Bergman as a master of expression : interview with Jan Holmberg. Theatralia. 2019, vol. 22, iss. 1, pp. 101–104.
Article
Revermann, Martin.
Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.
Article
Pontieri, Laura.
Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.
Article
Ambros, Veronika, Switzky, Lawrence.
"Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.