Brno studies in English 2013, vol. 39, iss. 2

Issue title

The five senses of Canadian cinema

Year

2013

Publication year

2014

ISSN

0524-6881 (print)

1805-0867 (online)

Stable URL (handle): https://hdl.handle.net/11222.digilib/130303

Note

Edited by Tomáš Pospíšil

Department FF MU

Department of English and American Studies

Topic

English Studies

Content:

Table of Contents

hidden section The five senses of Canadian cinema: introduction
Page	Title
[5]-13	The five senses of Canadian cinema: introduction Pospíšil, Tomáš \|

Part One: Bodies, Landscapes, Representations
Page	Title
[17]-35	Objects of vision: the polymorphic cinema of Michael Snow Browne, Dan \|
[37]-53	Sirmilik, geographical experience, and the question of landscape Wilson, Samantha \|
[55]-70	On true meaning(s) and the impossibility of documentary in the films of Jennifer Baichwal Varga, Darrell \|
[71]-88	Aura, aurora and aurality: the narrative of place in Picture of Light Clarkson, Nathan \|

Part Two: Permeable Boundaries, Places-In-Between
Page	Title
[91]-106	In-between states: Sarah Polley's Take This Waltz and Xavier Dolan's Laurence Anyways Leach, Jim \|
[107]-121	Away from Her? Sarah Polley's screen adaptation of Alice Munro's "The Bear Came Over The Mountain" Herrera, José Rodríguez \|
[123]-136	Canadian horror, American bodies: corporeal obsession and cultural projection in American Nightmare, American Psycho, and American Mary Loiselle, André \|
[137]-155	When seeing and hearing do not help: communication failures in Canadian films Arbeit, Marcel \|

hidden section Brno Studies in English
Page	Title
[156]	Brno Studies in English \|

hidden section Guidelines for authors
Page	Title
[157]	Guidelines for authors \|