Issue title
The five senses of Canadian cinema
Year
2013
Publication year
2014
ISSN
0524-6881 (print)
1805-0867 (online)
Stable URL (handle): https://hdl.handle.net/11222.digilib/130303
Note
- Edited by Tomáš Pospíšil
Department FF MU
Topic
Content:
Page | Title |
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[5]-13 | The five senses of Canadian cinema: introduction Pospíšil, Tomáš | ![]() |
Page | Title |
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[17]-35 | Objects of vision: the polymorphic cinema of Michael Snow Browne, Dan | ![]() |
[37]-53 | Sirmilik, geographical experience, and the question of landscape Wilson, Samantha | ![]() |
[55]-70 | On true meaning(s) and the impossibility of documentary in the films of Jennifer Baichwal Varga, Darrell | ![]() |
[71]-88 | Aura, aurora and aurality: the narrative of place in Picture of Light Clarkson, Nathan | ![]() |
Page | Title |
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[91]-106 | In-between states: Sarah Polley's Take This Waltz and Xavier Dolan's Laurence Anyways Leach, Jim | ![]() |
[107]-121 | Away from Her? Sarah Polley's screen adaptation of Alice Munro's "The Bear Came Over The Mountain" Herrera, José Rodríguez | ![]() |
[123]-136 | Canadian horror, American bodies: corporeal obsession and cultural projection in American Nightmare, American Psycho, and American Mary Loiselle, André | ![]() |
[137]-155 | When seeing and hearing do not help: communication failures in Canadian films Arbeit, Marcel | ![]() |
Page | Title |
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[156] | Brno Studies in English | ![]() |
Page | Title |
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[157] | Guidelines for authors | ![]() |