Neue Forschungsansätze über Theaterkultur in österreichischen Prälatenklöstern der Frühen Neuzeit

Variant title
Recent scholarship and new methods of research concerning monastic performance and theatricality in the Baroque era
Source document: Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 197-203
Extent
197-203
  • ISSN
    1212-0391 (print)
    2336-436X (online)
Type
Article
Language
German
License: Not specified license
Abstract(s)
Research about musical and theatrical performance in baroque men's and women's monasteries has developed significantly since 2000. After noting some major publications, this article points to the most important archival sources in the liturgical and economic areas that are crucial for understanding monastic performance culture. A conference held recently in Vienna about the history of liturgy and performance during Holy Week served as an impetus for further work in this area.
Document
References:
[1] BROSSETTE, Ursula. Die Inszenierung des Sakralen. Das theatralische Raum- und Ausstattungsprogramm süddeutscher Barockkirchen in seinem liturgischen und zeremoniellen Kontext. 2 Bände . Weimar: VDG, 2002.

[2] FREEMAN, Robert. The Practice of Music at Melk Abbey. Based upon the Documents 1681–1826 . Wien: Verlag der Österreichischen Akademie der Wissenschaften, 1989.

[3] GLÜXAM, Dagmar und FASTL, Christian. Art. Reutter, Familie . Österreichisches Musiklexikon [online], [cit. 2018-03-28]. URL: https://www.musiklexikon.ac.at/ml/musik_R/Reutter_Familie.xml.

[4] HALLER, Edmund. Grundzüge einer Bibliographie des Schuldramas zu Kremsmünster . Heimatgaue. 1927, vol. 8, p. 324–329.

[5] MÜLLER, Johannes. Das Jesuitendrama in den Ländern deutscher Zunge vom Anfang (1555) bis zum Hochbarock (1665) . Augsburg: Filser, 1930.

[6] NEUHUBER, Christian. Maurus Lindemayr, Dialektlieder. Kritische Ausgabe Bd. 2, Kommentar . Wien: Praesens-Verlag, 2008.

[7] PAGE, Janet. Convent Music and Politics in Eighteenth-Century Vienna . Cambridge: Cambridge Universtiy Press, 2014.

[8] POHLE, Frank. Glaube und Beredsamkeit. Katholisches Schultheater in Jülich-Berg, Ravenstein und Aachen (1601–1817) . Münster: Rhema-Verlag, 2010.

[9] REARDON, Colleen. Holy Concord within Sacred Walls. Nuns and Music in Siena, 1575–1700 . Oxford: Oxford University Press, 2002.

[10] WEAVER, Elissa. Convent Theatre in Early Modern Italy. Spiritual Fun and Learning for Women . Cambridge: Cambridge University Press, 2002.