Jaromír Funke a nová věcnost v internacionálních souvislostech

Variant title
Jaromír Funke and the New Objectivity in an international context
Author: Dufek, Antonín
Source document: Opuscula historiae artium. 2018, vol. 67, iss. 1, pp. 64-75
Extent
64-75
  • ISSN
    1211-7390 (print)
    2336-4467 (online)
Type
Article
Language
Czech
License: Not specified license
Rights access
embargoed access
Abstract(s)
The article examines the New Objectivity (Neue Sachlichkeit) in photography, in its narrower sense defining it as the detailed or close description of the surfaces of material objects. The article looks also at the role of the New Objectivity in German art and photography and examines it in relation to pictorialism and the Czech avant-garde (Devětsil). It discusses the work that the pioneer of avant-garde photography Jaromír Funke produced in the years between 1923 and 1929, which originated some of the principles of the New Objectivity. In the 1920s Funke invented also non-figurative shadow play. In the style of New Objectivity he taught his students in the 1930s.
Summary language
Note
  • Příspěvek vznikl v rámci projektu Nové realismy na československé výtvarné scéně 1918–1945, podpořeného Grantovou agenturou České republiky, č. 17-06031S, řešeného na Národním památkovém ústavu, územním odborném pracovišti v Liberci.
  • Fotografie na s. 66 - Jaromír Funke, Talíře, kolem 1923 - je nesprávně orientovaná; viz errata Opuscula historiae artium 2018/2, s. [147].
Document