Stage life and stage death (after Veltruský)

Source document: Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59-71
Extent
59-71
  • ISSN
    1803-845X (print)
    2336-4548 (online)
Type
Article
Language
English
Document
References:
[1] AMBROS, Veronika. 1999. Czech Performance Theory . In Domenico Pietropaolo (ed.). The performance text. New York and Ottawa: Legas, 1999: 113–125.

[2] AMBROS, Veronika. 2008. Prague's experimental stage: laboratory of theatre and semiotics . Semiotica 168 (2008): 45–65.

[3] AMBROS, Veronika. 2012. Puppets, statues, men, objects and the Prague School . Theatralia (special issue on structuralist theatre theory) 15 (2012): 2: 74–88.

[4] BAILEY, Brett. Third World Bunfight . Available online at http://www.thirdworldbunfight.co.za/productions/exhibit-a-b-and-c.html.

[5] DROZD, David, Tomáš KAČER and Don SPARLING (eds.). 2016. Theatre theory reader: Prague School writings . Prague: Karolinum Press, 2016.

[6] GARDNER, Lyn. 2014. Exhibit B: facing the appalling reality of Europe's colonial past . The Guardian (12. 8. 2014). Available online at: https://www.theguardian.com/stage/2014/aug/12/exhibit-b-edinburgh-festival-2014-review.

[7] HONZL, Jindřich. 1976. Dynamics of sign in the theater . In Ladislav Matejka and Irwin R. Titunik (eds.). Semiotics of art: Prague School contributions. Cambridge, Mass.: MIT Press, 1976: 75–94.

[8] JESTROVIĆ, Silvija. 2009. Anthropomorphic city horizon: structuralist's foregrounding in Antony Gormley's sculptures . In Veronika Ambros (ed.). Structuralism(s) today. New York/Ottawa: Legas, 2009: 191–203.

[9] JESTROVIĆ, Silvija. 2013. Sarajevo: the world city under siege . In Kim Solga and D. J. Hopkins (eds.). Performance and the Global City. Basingstoke: Palgrave, 2013: 202–223.

[10] MIJOVIĆ, Jelena. 2010. Metamorphoses (after Ovid) . Yugoslav Drama Theatre/ Unpublished script.

[11] O'HAGAB, Sean. 2010. Interview: Marina Abramović . The Guardian (10. 10. 2010). Available online at: https://www.theguardian.com/artanddesign/2010/oct/03/interview-marina-abramovic-performance-artist.

[12] SONTAG, Susan. 2003. Regarding the pain of others . London: Penguin, 2003.

[13] VELTRUSKÝ, Jiří. 1964. Man and Object in the Theatre . In Paul Garvin (ed.). A Prague School Reader on esthetics, literary structure and style. Washington: Georgetown UP, 1964: 83–91.