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Chew, Geoffrey. Jenůfa as a social document. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2007-2008, vol. 56-57, iss. H42-43, pp. 39–45.

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Pearl, Jonathan G. Secora. A musical journey through language. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2007-2008, vol. 56-57, iss. H42-43, pp. 111–115.

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Settari, Olga. The aesthetic views of music of Descartes and Comenius. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1997, vol. 46, iss. H32, pp. 5–14.

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Romportlová, Simona. The reflection of the monastical music in Czech musicology of the twentieth century - the select bibliography. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1997, vol. 46, iss. H32, pp. 67–81.

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Hudecová, Danuta, Kalina, Petr. Leoš Janáček's interpretation and misinterpretation of Dostoyevsky's The House of the Dead. Musicologica Brunensia. 2016, vol. 51, iss. 2, pp. 27–40.

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Slouka, Petr. Johann Heinrich Schmelzer's serenata for the celebrations of Maria Antonia Habsburg's birthday. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 243–251.

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Kozel, David. Repetition as a principle of mythological thinking and music of the twentieth century. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 157–167.

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Mohammad, Iyad Abdelhafeez. Compositional technique and phenomenological categories of perception in the Passacaglia of Shostakovich's Symphony No. 8. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 95–108.

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Macek, Petr. Music lexicographer Jiří Fukač and the Brno School of Music Lexicography. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 43–48.

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Beckerman, Michael. Klein the Janáčkian. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 25–33.

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Tyrrell, John. Janáček, religion and belief. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 209–215.

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Špaček, Jan. Private feelings and public statements in the music of Dmitry Shostakovich. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 203–208.

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Appendices [– Photo gallery]. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 233–254.

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Kopecký, Jiří. Wagnerism in the Czech lands around 1900. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 83–90.

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Kokole, Metoda. Andrea Bernasconi's earliest operatic music on its way north of the Alps. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 207–226.

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Černá, Zuzana. Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.

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Urniežius, Rytis. The possibilities of transcribing orchestral works subject to essentiality of their original orchestration. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 85–93.

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Haas, Petr. The language of the assistant and the language of the creator : selected aspects of computer assisted composition. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 121–139.

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Nedbal, Martin. Heinrich Wilhelm Haugwitz and the reception of Mozart's operas in early nineteenth-century Moravia. Musicologica Brunensia. 2021, vol. 56, iss. 1, pp. 43–57.

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Zapletal, Miloš. Civilist tendencies in the inter-war Czech music : at the beginning of a research. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 237–251.

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Vejvodová, Veronika. An unsuccessful rehabilitation : performances of Dvořák's Armida in 1918–38. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 63–77.

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Baťa, Jan. Remarks on the Festivities of the Order of the Golden Fleece in Prague (1585). Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 25–35.

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Maňas, Vladimír. The choir lofts in the church of St. James in Brno : (between the late 15th and the 19th centuries). Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 103–111.