Displaying 276 - 300 of 566
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Hess-Lüttich, Ernest W. B..
The schools of Structuralism – an overview : the impact of Prague School Structuralism on other centres of textual analysis. Theatralia. 2012, vol. 15, iss. 2, pp. 50–73.
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Pérez-Simón, Andrés.
Manufacturing authenticity : anonymous acting celebrities in Atalaya's production of Lorca's The House of Bernarda Alba (2009). Theatralia. 2012, vol. 15, iss. 2, pp. 100–111.
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Prague semiotic stage revisited: an international symposium on Czech structuralist thought on theatre and drama, Brno, 27th - 29th June 2011 : programme. Theatralia. 2012, vol. 15, iss. 2, pp. 9–12.
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Toro, Fernando de.
The legacy of the Linguistic Circle of Prague. Theatralia. 2012, vol. 15, iss. 2, pp. 24–36.
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Havlíčková Kysová, Šárka, Příhodová, Barbora.
Miroslav Kouřil's theory of scenography in the archive materials : a research report. Theatralia. 2012, vol. 15, iss. 2, pp. 227–231.
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Brandesky, Joseph E..
Kateřina Miholová. Reproductions of twentieth century Czech theatre in context: The Coming to Wisdom of Don Quixote (1914) and Julius Caesar (1936). Theatralia. 2012, vol. 15, iss. 2, pp. 189–191.
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Drábek, Pavel.
John Russell Brown. Studying Shakespeare in performance. Theatralia. 2012, vol. 15, iss. 2, pp. 194–196.
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Příhodová, Barbora.
Donatella Barbieri. Encounters in the Archive. Theatralia. 2012, vol. 15, iss. 2, pp. 207–209.
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Drábek, Pavel.
Alice Dubská. The travels of the puppeteers Brát and Pratte through Europe in the eighteenth and nineteenth centuries. Theatralia. 2012, vol. 15, iss. 2, pp. 206–207.
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Puchner, Walter.
Jiří Veltruský. An approach to the semiotics of theatre. Theatralia. 2012, vol. 15, iss. 2, pp. 220–226.
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Havlíčková Kysová, Šárka.
"Asian" theatre sign : its potential and its limits in the history of the Czech Structuralist thought. Theatralia. 2012, vol. 15, iss. 2, pp. 89–99.
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Šlaisová, Eva.
"Aktualisace" in English scholarly literature : interpretation, ignorance, and misunderstanding. Theatralia. 2012, vol. 15, iss. 2, pp. 154–167.
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Schmid, Herta.
The concept of sign, its origin and influence on Mukařovský's Structuralism. Theatralia. 2012, vol. 15, iss. 2, pp. 112–124.
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Meerzon, Yana.
Concretization‒transduction‒adaptation : on Prague School legacy in theatre studies today. Theatralia. 2012, vol. 15, iss. 2, pp. 125–153.
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Drábek, Pavel.
Launching a structuralist assembly : convening the scattered structures. Theatralia. 2012, vol. 15, iss. 2, pp. 13–23.
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Drábek, Pavel.
German Shakespeare and the political stage. Theatralia. 2021, vol. 24, iss. 2, pp. 167–169.
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Havlíčková Kysová, Šárka.
Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.
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Mikyšková, Anna, Škrobánková, Klára.
The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.
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Braga Riera, Jorge.
Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.
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Krajník, Filip.
Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.
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Cetera-Włodarczyk, Anna, Pożar, Przemysław.
Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.
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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda.
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.
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Morini, Massimiliano.
Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.