Displaying 1351 - 1375 of 1468
Article
Pavlišová, Jitka.
Divadlo je krajšie ako vojna. Theatralia. 2017, vol. 20, iss. 1, pp. 165–168.
Article
Brandesky, Joseph E..
...time for play...time played out..., ...time played out...time for play... : comments on Jaroslav Malina's 2016 exhibits in Jindřichův Hradec and Brno. Theatralia. 2017, vol. 20, iss. 1, pp. 190–193.
Article
Vodička, Libor, Vodičková, Petra.
V centru experimentálního divadla : rozhovor s Petrou Vodičkovou. Theatralia. 2017, vol. 20, iss. 1, pp. 123–129.
Article
Havlíčková Kysová, Šárka, Spurná, Helena.
Realismus hudebního divadla Waltera Felsensteina – pravda, nebo mýtus?. Theatralia. 2017, vol. 20, iss. 1, pp. 88–121.
Article
Kubart, Tomáš, Marschall, Brigitte.
O zakladateli psychodramatu Jakobu Levy Morenovi : rozhovor s Brigitte Marschall. Theatralia. 2017, vol. 20, iss. 1, pp. 136–138.
Article
Mikulová, Iva.
Příběhy obyčejných šílenství. Theatralia. 2017, vol. 20, iss. 1, pp. 159–161.
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Štěpaníková, Markéta.
Zákon o veřejnoprávní instituci v kultuře. Theatralia. 2017, vol. 20, iss. 1, pp. 21–36.
Article
Binková, Kristýna.
Specifické aspekty řízení kariér v podmínkách uměleckého souboru baletu. Theatralia. 2017, vol. 20, iss. 1, pp. 52–71.
Article
Havlíčková Kysová, Šárka.
Inspirace v kognitivní filmologii: audiovizuální metafora jako analytický nástroj. Theatralia. 2017, vol. 20, iss. 1, pp. 169–174.
Article
Mikulová, Iva.
Subjektivní versus objektivní: Konference o kritice. Theatralia. 2017, vol. 20, iss. 1, pp. 184–187.
Article
Zelenková, Anna.
Frank Wollman – dramatický text ako intencionálna danosť. Theatralia. 2021, vol. 24, iss. 1, pp. 240–254.
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Havlíčková Kysová, Šárka.
Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.
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Mikyšková, Anna, Škrobánková, Klára.
The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.
Article
Braga Riera, Jorge.
Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.
Article
Krajník, Filip.
Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.
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Cetera-Włodarczyk, Anna, Pożar, Przemysław.
Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.
Article
Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda.
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.
Article
Morini, Massimiliano.
Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.
Article
Calvi, Lisanna.
"This may appear unmanly Tenderness". Homosocial bonds and (un)ruly women in George Granville's The Jew of Venice (1701). Theatralia. 2021, vol. 24, iss. 1, pp. 61–77.
Article
Hájková, Simona.
Revisiting Restoration theatre through transnational interactions. Theatralia. 2021, vol. 24, iss. 1, pp. 303–308.
Article
Poláčková, Eliška.
Enacting the Bible in Medieval and Early Modern Drama. Theatralia. 2021, vol. 24, iss. 1, pp. 263–266.