Displaying 27351 - 27375 of 27612
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Kürtösi, Katalin, Gadpaille, Michelle, Blake, Jason, Kyloušek, Petr, Staines, David, Rau, Albert.
Don Sparling at 80. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 11–17.
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Gadpaille, Michelle.
Pandemic, prophecy, and politics in Mary Shelley and Emily St John Mandel. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 19–38.
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Szamosi, Gertrud.
Exploring the transnational in Shauna Singh Baldwin's We Are Not in Pakistan. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 51–61.
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Kováč, Stanislav.
Perceptions and misperceptions of Canadian realia among Slovak students of English. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 63–76.
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Deirani, Rasha.
Hyphenated identities : integration and belonging in Korean-Canadian narratives. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 77–87.
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Greilinger, Szonja.
Translating Carleigh Baker's "Last Woman". The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 101–112.
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Devine, Michael.
A post-colonial Canadian in Cairo and Kraljevo : theatre, interculturality and politics in BoxWhatBox 2023. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 113–122.
Article
Kodó, Krisztina.
[Taylor, Drew Hayden (ed.). Me tomorrow: indigenous views on the future]. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 123–125.
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Blake, Jason.
[Moore, Lisa (ed.). Best Canadian stories 2024]. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 127–131.
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Sparling, Don.
[Runtić, Sanja; Marešová, Jana; Kolinská, Klára (eds.). (Un)Following in Winnetou's footsteps: representations of North American indigeneity in Central Europe]. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 133–139.
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Majcen Linn, Olga.
The chronotopical overview of Croatian performance art. Theatralia. 2014, vol. 17, iss. 2, pp. 233–237.
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Pšenička, Martin.
Otakar Zich's invisible actors and creative minds. Theatralia. 2014, vol. 17, iss. 2, pp. 71–80.
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Šlaisová, Eva.
The Prague School's contribution to the theory of intermediality. Theatralia. 2014, vol. 17, iss. 2, pp. 41–49.
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Havlíčková Kysová, Šárka, Příhodová, Barbora.
Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s). Theatralia. 2014, vol. 17, iss. 2, pp. 111–121.
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Billing, Christian M..
Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences. Theatralia. 2014, vol. 17, iss. 2, pp. 13–23.
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Drábek, Pavel.
Čtení cenzury bez cenzury: velkolepě o regulaci české literatury. Theatralia. 2018, vol. 21, iss. 1, pp. 219–225.
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Hofmanová, Jiřina.
Letem světem doktorandských výzkumů. Theatralia. 2018, vol. 21, iss. 1, pp. 227–229.
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Kubina, Lukáš, Musilová, Martina.
Svět je symbolická interakce: symbolický interakcionismus jako východisko výzkumu teatrality veřejných událostí. Theatralia. 2018, vol. 21, iss. 1, pp. 9–32.
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Drábek, Pavel.
Beata culpa: čtvero paulinských úvah nad knižním paskvilem o opeře. Theatralia. 2018, vol. 21, iss. 1, pp. 197–203.
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Pavlišová, Jitka.
O perspektivách, mezích a slepých uličkách teatrologického zkoumání. Theatralia. 2018, vol. 21, iss. 1, pp. 210–213.
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Turner, Ralph H..
Přejímání rolí: proces, nebo konformita. Theatralia. 2018, vol. 21, iss. 1, pp. 237–251.
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Bulandrová, Amálie.
The Fleury Playbook: liturgical drama and its production in Saint-Benoît-sur-Loire. Theatralia. 2018, vol. 21, iss. 1, pp. 133–149.