Jan Mukařovský and theatre

Source document: Theatralia. 2014, vol. 17, iss. 2, pp. 122-136
Extent
122-136
  • ISSN
    1803-845X (print)
    2336-4548 (online)
Type: Article
Language
English
License: Not specified license
Abstract(s)
Jan Mukařovský (1891−1975) has played a prominent and unique role in the history of Czech Structuralism. He is the author of numerous theoretical and overview works on theatre and dramatic art, but only a part of it is widely known and commented on. This gives rise to the impression that Mukařovský dealt with theatre in bursts only, in fact producing only the occasional text. However, the opposite is true: published studies are just a fragment of his actual, systematic work developed in the field of study of dramatic art and aesthetics of drama. The entire collection of Mukařovský's texts dealing with theatre and dramatic art can be classified into six main types according to their theme and genre:1) Literary-aesthetic criticism of specialized works on drama and dramatic art, 2) Theatre criticism, 3) Articles on plays and dramatists, 4) Theoretical and overview studies, 5) Lectures, 6) Various – dealing with theatre and dramatic art. The main aim of this study is not to provide a complete and exhaustive account of Mukařovský's studies on theatre and dramatic art, but rather to identify their most important characteristics, mutual relations, the circumstances in which they were produced and the broader context. The author of the study argues that a) Mukařovský's interest in theatre and stage speech was always an integral part of his research into poetics, aesthetics and semiotics of art, and b) despite several internal contradictions, his scientific orientation is in principle continuous.
Note
  • This study is a part of the project Jan Mukařovský: life, works, reception (No. P406/10/1911), supported by Czech Science Foundation.
Document
References:
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