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Hladký, Josef.
The orthography of british trade names. Sborník prací Filozofické fakulty brněnské univerzity. A, Řada jazykovědná. 1971, vol. 20, iss. A19, pp. 145–160.
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Maxwell, Alexander, McMillan, Louise.
Error bars for lexicostatistical estimates, with a case study comparing the diversity of Chinese and Romance. Linguistica Brunensia. 2024, vol. 72, iss. 1, pp. 5–21.
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Dukai, Lilla Nikolin.
Clitics in Old Serbian : What does the text of the Troyan Parable tell us?. Linguistica Brunensia. 2024, vol. 72, iss. 1, pp. 23–32.
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Pala, Karel.
[Harris, Zellig S. String analysis of sentence structure]. Sborník prací Filozofické fakulty brněnské univerzity. A, Řada jazykovědná. 1964, vol. 13, iss. A12, pp. 238–241.
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Vachek, Josef.
Notes on gender in Modern English. Sborník prací Filozofické fakulty brněnské univerzity. A, Řada jazykovědná. 1964, vol. 13, iss. A12, pp. 189–194.
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Blažek, Václav.
Indo-European "lamb". Sborník prací Filozofické fakulty brněnské univerzity. A, Řada jazykovědná. 1996, vol. 45, iss. A44, pp. 9–13.
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Blažek, Václav.
The prefix *sm̥-/ *som- in the Indo-European tree- & plant-names. Sborník prací Filozofické fakulty brněnské univerzity. A, Řada jazykovědná. 2003, vol. 52, iss. A51, pp. 5–11.
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Majcen Linn, Olga.
The chronotopical overview of Croatian performance art. Theatralia. 2014, vol. 17, iss. 2, pp. 233–237.
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Pšenička, Martin.
Otakar Zich's invisible actors and creative minds. Theatralia. 2014, vol. 17, iss. 2, pp. 71–80.
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Šlaisová, Eva.
The Prague School's contribution to the theory of intermediality. Theatralia. 2014, vol. 17, iss. 2, pp. 41–49.
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Havlíčková Kysová, Šárka, Příhodová, Barbora.
Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s). Theatralia. 2014, vol. 17, iss. 2, pp. 111–121.
Article
Billing, Christian M..
Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences. Theatralia. 2014, vol. 17, iss. 2, pp. 13–23.
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Bulandrová, Amálie.
The Fleury Playbook: liturgical drama and its production in Saint-Benoît-sur-Loire. Theatralia. 2018, vol. 21, iss. 1, pp. 133–149.
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Přidalová, Jana.
Překlad Macbetha z konce 18. století (H. Kukla). Theatralia. 2010, vol. 13, iss. 2, pp. 94–106.
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Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2017, vol. 20, iss. 1, Supplementum, pp. 71–74.
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Cetera-Włodarczyk, Anna.
Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.
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Almási, Zsolt.
Textuality, heritage, and identity in Hungary: contexts for the interpretation of Szikszai's insertion in Macbeth (2018). Theatralia. 2021, vol. 24, iss. Special Issue, pp. 222–238.
Article
Kowalcze-Pawlik, Anna.
Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.
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Deres, Kornélia.
Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.
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Reuss, Gabriella.
Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.
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Daníčková, Eva.
Review of The Routledge Companion to Dramaturgy. Theatralia. 2015, vol. 18, iss. 2, pp. 485–489.