Displaying 4501 - 4525 of 4653
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Tošenovský, Ludvík.
[Dryer, Douglas Poole. Kant's solution for verification in metaphysics]. Sborník prací Filozofické fakulty brněnské univerzity. B, Řada filozofická. 1970, vol. 19, iss. B17, pp. 183–184.
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Žilka, Tibor.
Intertextuality in Slovak prose and drama. Sborník prací Filozofické fakulty brněnské univerzity. X, Řada literárněvědné slavistiky. 2005, vol. 54, iss. X8, pp. 47–58.
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Instrukce pro přispěvatele - Guidelines for contributors. Brünner Beiträge zur Germanistik und Nordistik. 2013, vol. 27, iss. 1-2, pp. 6.
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Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 85–88.
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Brandesky, Joseph E..
...time for play...time played out..., ...time played out...time for play... : comments on Jaroslav Malina's 2016 exhibits in Jindřichův Hradec and Brno. Theatralia. 2017, vol. 20, iss. 1, pp. 190–193.
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Drábek, Pavel.
Shakespeare's treasure trove of Italian tales. Theatralia. 2021, vol. 24, iss. 1, pp. 274–278.
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Turzíková, Tereza.
In search for new realities in post-pandemic dystopia. Theatralia. 2021, vol. 24, iss. 1, pp. 309–311.
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Šalounová, Kateřina.
When audience in a theatre used to be a natural thing. Theatralia. 2021, vol. 24, iss. 1, pp. 279–283.
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van Hensbergen, Claudine.
The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669). Theatralia. 2021, vol. 24, iss. 1, pp. 11–33.
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Kubart, Tomáš.
Theatre of arranging live images. Theatralia. 2016, vol. 19, iss. 2, pp. 169–171.
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Shurma, Svitlana, Lu, Wei-lun.
A cognitive poetic analysis of LIFE and DEATH in English and Ukrainian: a multiple-parallel-text approach to Hamlet's soliloquy. Theatralia. 2016, vol. 19, iss. 2, pp. 9–28.
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Gočálová, Zdenka.
Theatre life of Prešov: from the beginnings to the mid-20th century. Theatralia. 2016, vol. 19, iss. 2, pp. 146–151.
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Kubart, Tomáš.
Art of action of 1960s and 1970s in the 20th century and its documentation in the permanent exhibition of the National Gallery – commented tour with Pavlína Morganová. Theatralia. 2016, vol. 19, iss. 2, pp. 161–163.
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Bernátek, Martin, Sosnowska, Dorota.
Speculative realities, practice as theory: interview with Dorota Sosnowska. Theatralia. 2016, vol. 19, iss. 2, pp. 123–129.
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Lánská, Dita.
Meaning(s) of Otakar Zich's concept of the 'semantic image'. Theatralia. 2016, vol. 19, iss. 2, pp. 103–121.
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Vodička, Libor.
Are these the last volumes of Czech Theatrical Encyclopaedia?. Theatralia. 2016, vol. 19, iss. 2, pp. 133–136.
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Havlíčková Kysová, Šárka.
Stage metaphors in Verdi's Otello: Miloš Wasserbauer's State Theatre production (Brno 1967) in the context of Otello's staging tradition. Theatralia. 2016, vol. 19, iss. 2, pp. 29–58.
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Čermáková, Eva.
Karagem valley. A rock art site in the Russian Altai. Sborník prací Filozofické fakulty brněnské univerzity. M, Řada archeologická. 2007-2008, vol. 56-57, iss. M12-13, pp. 69–88.
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Brukner, Robert G. F..
Using mortuary evidence to describe and interpret social structures and change: an investigation at the Roman provincial capital Eboracum in York, England. Sborník prací Filozofické fakulty brněnské univerzity. M, Řada archeologická. 1998, vol. 47, iss. M3, pp. 33–61.
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Ciesielski, Tomasz.
Contemporary dance theatre in neurocognitive perspective – Granhøj Dans case. Theatralia. 2016, vol. 19, iss. 2, pp. 76–90.
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Havlíčková Kysová, Šárka, Kačer, Tomáš.
Editorial. Theatralia. 2016, vol. 19, iss. 2, pp. 7–8.
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Drábek, Pavel.
Three books on new dramaturgy and adaptation from Bloomsbury Methuen Drama. Theatralia. 2016, vol. 19, iss. 2, pp. 156–159.
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Kašparová, Barbora.
Bonn – Hommage à Pina Bausch. Theatralia. 2016, vol. 19, iss. 2, pp. 164–165.