Displaying 1 - 23 of 23
Article
Stehlíková, Eva.
How to present ancient theatre on television. Theatralia. 2018, vol. 21, iss. 2, pp. 214–216.
Article
Turzíková, Tereza.
The urge to share knowledge. Theatralia. 2018, vol. 21, iss. 2, pp. 217–219.
Article
Fergusson, Cat.
Visualising process: Hofman's 1926 Hamlet reconstructive practice. Theatralia. 2018, vol. 21, iss. 2, pp. 15–28.
Article
Warstat, Matthias.
Obamovo tělo : performativní aspekty politické rétoriky. Theatralia. 2018, vol. 21, iss. 2, pp. 187–199.
Article
Zálešáková, Tereza.
What makes British musicals uniquely British?. Theatralia. 2018, vol. 21, iss. 2, pp. 208–210.
Article
Inštitorisová, Dagmar.
The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno. Theatralia. 2018, vol. 21, iss. 2, pp. 112–126.
Article
Tomaszewska, Ewa.
A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko. Theatralia. 2018, vol. 21, iss. 2, pp. 95–111.
Article
Tagareva, Albena.
Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts. Theatralia. 2018, vol. 21, iss. 2, pp. 141–160.
Article
Krajník, Filip.
Mirrors of/for the times: Shakespeare in Central European theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 201–203.
Article
Matthews, Dan.
A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets. Theatralia. 2018, vol. 21, iss. 2, pp. 29–37.
Article
Wild, Jana.
From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 64–78.
Article
Billing, Christian M., Havlíčková Kysová, Šárka.
Making space for Shakespeare in the Central European imaginary : editorial. Theatralia. 2018, vol. 21, iss. 2, pp. 7–13.
Article
Kačer, Tomáš.
Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium. Theatralia. 2018, vol. 21, iss. 2, pp. 211–213.
Article
Drozd, David, Spurná, Helena, Bártová, Jindřiška, Flašar, Martin, Drábek, Pavel, Zahrádka, Jiří, Částková, Patricie, Kovaříková, Hana, Hložková, Hana.
Zich's Guilt – reactions to the concert performance of extracts. Theatralia. 2018, vol. 21, iss. 2, pp. 223–235.
Article
Lánská, Dita.
Theory as a 'tool-box': Brno Theatralia Conference 2018. Theatralia. 2018, vol. 21, iss. 2, pp. 220–222.
Article
Koblišková, Zuzana.
Othello and the perception of race within the cultural context of Czech and Slovak theatres. Theatralia. 2018, vol. 21, iss. 2, pp. 127–140.
Article
Kunderová, Radka, Warstat, Matthias.
We must take these risks : interview with Matthias Warstat. Theatralia. 2018, vol. 21, iss. 2, pp. 182–186.
Article
Spurná, Helena.
The political dimension of the performance Jeanne d'Arc au bûcher [Joan of Arc at the Stake] in the Janáček Theatre, Brno in 1969. Theatralia. 2018, vol. 21, iss. 2, pp. 161–172.
Article
Koblišková, Zuzana.
Ladislav Vychodil's approach to designing stages for Shakespeare home and abroad. Theatralia. 2018, vol. 21, iss. 2, pp. 79–94.
Article
Koubská, Vlasta, Dušek, Jan.
Interview with Jan Dušek (13. 2. 2018). Theatralia. 2018, vol. 21, iss. 2, pp. 173–181.
Article
Koubská, Vlasta.
Scenographer Antonín Heythum and his work in the US: the case of King Lear. Theatralia. 2018, vol. 21, iss. 2, pp. 38–63.