Displaying 151 - 175 of 178
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Cenkerová, Zuzana.
Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.
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Landy, Leigh.
Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.
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Rabinovitch, Gilad.
C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 89–100.
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Armand, Louis.
Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.
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Watt, Paul.
Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.
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Flašar, Martin.
Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.
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Zagorski, Marcus.
The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.
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Rataj, Michal.
Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.
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Štěpánová, Martina, Kozel, David.
Archetypal symbols in the symphonic poem The Sea by Mikalojus Konstantinas Čiurlionis. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 103–116.
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Petőczová, Janka.
Musical life in urban communities of North-Eastern Slovakia in the period of reformation. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 39–55.
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Dostálová, Magdalena.
Tracking the disseminated sources for compositional work of music theorist-abbot-composer Johannes Nucius. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 75–85.
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Michálková Slimáčková, Jana.
Bedřich Antonín Wiedermann : pioneer of the organ as a concert instrument. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 5–14.
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Macek, Petr, Poledňák, Ivan.
Stanislav Tesař at 70; Selected bibliography of the work of Stanislav Tesař. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 5–10.
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Settari, Olga.
The aesthetic views of music of Descartes and Comenius. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1997, vol. 46, iss. H32, pp. 5–14.
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Romportlová, Simona.
The reflection of the monastical music in Czech musicology of the twentieth century - the select bibliography. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1997, vol. 46, iss. H32, pp. 67–81.
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Cseres, Jozef.
Marcel Duchamp's and John Cage's chess intermedia. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 19–28.
Article
Libin, Kathryn L..
Love and virtue in the Lobkowitz house theatre : Ferdinando Paër's L'amor conjugale. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 73–94.
Article
Nimylovych, Oleksandra, Filonenko, Ludomyr.
Prague pages of the creative work of the Ukrainian composer Vasyl Barvinskyi. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 95–110.
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Szczygieł, Justyna.
Franz Kautny (1788-1836): the owner of musical manuscripts from the Jasna Góra collection. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 125–150.
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Beckerman, Michael.
Love and virtue in Cavalli's L'Erismena. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 5–12.
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Cígler, Pavel .
Sources for research on the Union of Czechoslovak Composers. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 41–51.
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Studeničová, Hana.
From Moravská Třebová to Klosterneuburg: to the fate of one part book. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 79–92.
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Svoboda, František.
When the music changes, so does the dance : do we still need copyright collectives?. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 93–113.
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Ševčíková, Veronika.
Romani music in Czech film after 1989, specifically between 1993 and 2017. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 129–142.
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Tichý, Vlastimil.
The oldest scores of sacred music in the collection of Carl Winiker's Musikalien-Leih-Anstalt in Brno. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 143–192.