Displaying 1 - 25 of 78
Article
Cetera-Włodarczyk, Anna.
Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.
Article
Almási, Zsolt.
Textuality, heritage, and identity in Hungary: contexts for the interpretation of Szikszai's insertion in Macbeth (2018). Theatralia. 2021, vol. 24, iss. Special Issue, pp. 222–238.
Article
Kowalcze-Pawlik, Anna.
Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.
Article
Deres, Kornélia.
Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.
Article
Reuss, Gabriella.
Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.
Article
Földváry, Kinga.
Reappropriations of Shakespearean history on the post-communist Hungarian stage. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 239–253.
Article
Volceanov, George.
Shakespeare on the page in Romania: before and after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 33–46.
Article
Pikli, Natália.
Institutional heritage and 'that Shakespearean hazard' 1989–2019: the case of the Katona József Theatre and SzFE's Ódry Theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 65–82.
Article
Almási, Zsolt, Földváry, Kinga.
Introduction. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 7–13.
Article
Fabiszak, Jacek.
Maja Kleczewska's 2019 Hamlet/Гамлет: a case of trans- / inter-cultural Shakespeare production in Poland thirty years after the transition. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 139–150.
Article
Wild, Jana.
Macbeth, petty bourgeois. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 209–221.
Article
Mišterová, Ivona.
Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 171–185.
Article
Cinpoeş, Nicoleta.
Shakestivalling' in the New Europe. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 83–101.
Article
Havlíčková Kysová, Šárka.
Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 189–208.
Article
Müller, Péter.
Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 47–64.
Article
Krajník, Filip.
Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.
Article
Cetera-Włodarczyk, Anna, Pożar, Przemysław.
Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.
Article
Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda.
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.
Article
Morini, Massimiliano.
Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.
Article
Calvi, Lisanna.
"This may appear unmanly Tenderness". Homosocial bonds and (un)ruly women in George Granville's The Jew of Venice (1701). Theatralia. 2021, vol. 24, iss. 1, pp. 61–77.
Article
Hájková, Simona.
Revisiting Restoration theatre through transnational interactions. Theatralia. 2021, vol. 24, iss. 1, pp. 303–308.