Title: Macbeth, petty bourgeois
Source document: Theatralia. 2021, vol. 24, iss. Special Issue, pp. 209-221
Extent
209-221
-
ISSN1803-845X (print)2336-4548 (online)
Persistent identifier (DOI): https://doi.org/10.5817/TY2021-S-13
Stable URL (handle): https://hdl.handle.net/11222.digilib/143682
Type: Article
Language
English
License: CC BY-NC-ND 4.0 International
Abstract(s)
Thirty years after the fall of the Iron Curtain in 1989, Macbeth appears to be paradigmatic for the post-Communist Slovak Shakespeare. Several productions have made the play a playground to explore the world in new terms (gender issues, grotesque, social identity). The focus of this paper is on a 1999 production in Nitra which fashioned Macbeth as an Ubuesque petty bourgeois.
Keywords
References
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[2] BŽOCHOVÁ-WILD, Jana. 2003. Začarovaný ostrov? Shakespearova Búrka inak [The Enchanted Island? Shakespeare's The Tempest Otherwise]. Bratislava: Divadelný ústav, 2003.
[3] DRÁBEK, Pavel. 2014. From the General of the Scottish Army to a Fattish Beer-Drinker: A Short History of Czech Translations of Macbeth. In Jana Bžochová-Wild (ed.). 'In Double Trust'. Shakespeare in Central Europe. Bratislava: Vysoká škola múzických umení, Divadelná fakulta, 2014: 52–72.
[4] FILINOVÁ, Martina. 2001. Čarodejnice v slovenských inscenáciách Macbetha [Witches in the Slovak Stagings of Macbeth]. Term paper. Bratislava: DF VŠMU, 2001.
[5] FILKOROVÁ, Ivana. 2006. Inscenovanie Macbetha na Slovensku do roku 1979 [Slovak Stagings of Macbeth up to 1979]. Bachelor thesis. Bratislava: DF VŠMU, 2006.
[6] HEINRICHS, Henriette. n.d. Henriette Heinrichs BUTOH – die Seele Tanzt. [accessed on 21.01.2021]. Available online at www.butoh-tanz.de.
[7] INNES, Christopher and Maria SHEVTSOVA. 2013. The Cambridge Introduction to Theatre Directing. Cambridge: Cambridge University Press, 2013.
[8] LUKEŠ, Milan. 2004. Mezi karnevalem a snem. Shakespearovské souvislosti. [Between Carnival and Dream. Shakespearean Connections]. Praha: Divadelní ústav, 2004.
[9] MACBETH. 2013. Theatre bill. Bratislava: DF VŠMU. Director Tomáš Procházka.
[10] MCCARTHY, Mary. 1962. General Macbeth. Harper's (June 1962). Reprint in SHAPIRO, James (ed.). 2014. Shakespeare in America: An Anthology from the Revolution to Now. The Library of America, 2014: 530–541. [accessed on 21.01.2021]. Available online at https://loa-shared.s3.amazonaws.com/static/pdf/McCarthy_General_Shakespeare.pdf.
[11] SHURBANOV, Alexander and Boika SOKOLOVA. 2001. Painting Shakespeare Red. An East-European Appropriation. Newark: University of Delaware Press; London: Associated University Presses, 2001.
[12] ŠIMIĆ, Lena. 1999. Macbeth Spell. Master thesis. Bratislava: DF VŠMU, 1999.
[13] WILD, Jana. 2017. 'The Art of Performance.' Hamlet in Rusyn Language. In Krystyna Kujawińska Courtney and Grzegorz Zienkiewicz (eds.). Shakespeare: His Infinite Variety. Łódź: Wydawnictwo Uniwersytetu Łódzkieho, 2017: 153–158.
[14] WILD, Jana. 2001. Jednoducho Hamlet [Simply Hamlet]. Divadlo v medzičase 6 (2001): 1: 10.