Vyprávění v dramatu

Author: Sommer, Roy
Contributor
Kačer, Tomáš (Translator)
Merenus, Aleš (Translator)
Source document: Theatralia. 2014, vol. 17, iss. 1, pp. 272-278
Extent
272-278
  • ISSN
    1803-845X (print)
    2336-4548 (online)
Type: Article
Language
Czech
License: Not specified license
Document
References:
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[3] HÜHN, Peter a Roy SOMMER. 2009. Narration in Poetry and Drama [online]. In Peter Hühn, John Pier, Wolf Schmid a Jörg Schönert (edd.). The Living Handbook of Narratology. [Poslední verze: 6. 12. 2012, cit. 18. 3. 2014]. Dostupné na http://wikis.sub.uni-hamburg.de/lhn/index.php/Narration_in_Poetry_and_Drama.

[4] CHATMAN, Seymour. 2000 [1990]. Dohodnuté termíny: rétorika narativu ve fikci a filmu. Olomouc: Univerzita Palackého, 2000 [1990].

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[7] NÜNNING, Ansgar & Roy SOMMER. 2008. Diegetic and Mimetic Narrativity: Some Further Steps towards a Narratology of Drama. In J. Pier a J. Á. García Landa (edd.). Theorizing Narrativity. Berlin: de Gruyter: 329–352.

[8] RAJEWSKY, Irina O. 2007. Von Erzählern, die (nichts) vermitteln: Überlegungen zu grundlegenden Annahmen der Dramentheorie im Kontext einer transmedialen Narratologie. Zeitschrift für französische Sprache und Literatur 117 (2007): 25–68.

[9] RICHARDSON, Brian. 2007. Drama and Narrative. In D. Herman (ed.). The Cambridge Companion to Narrative. Cambridge: Cambridge University Press, 2007: 142–155.

[10] RYAN, Marie-Laure. 2005. On the Theoretical Foundations of Transmedial Narratology. In J. Ch. Meister (ed). Narratology beyond Literary Criticism: Mediality, Disciplinarity. Berlin: de Gruyter, 2005: 1–23.

[11] SCHENK-HAUPT, Stefan. 2007. Narrativity in Dramatic Writing: Towards a General Theory of Genres. Anglistik 18 (2007): 2: 25–42.

[12] WEIDLE, Roland. 2009. Organizing the Perspectives: Focalization and the Superordinate Narrative System in Drama. In P. Hühn et al. (edd.). Point of View, Perspective, and Focalization. Modeling Mediation in Narrative. Berlin: de Gruyter, 2009: 221–242.

[13] ELAM, Keir. 1980. The Semiotics of Theatre and Drama. London: Methuen, 1980.

[14] GARNER, Stanton B. 1989. The Absent Voice: Narrative Comprehension in the Theater. Urbana: University of Illinois Press, 1989.

[15] HAUTHAL, Janine. 2008. Metadrama und (Text-)Theatralität: (Selbst-)Reflexionen einer intermedialen literarischen Gattung am Beispiel englischer und nordamerikanischer Meta- und Postdramatik. Trier: WVT, 2008.

[16] JONG, Irene J. F. de. 1991. Narrative in Drama: The Art of the Euripidean Messenger Speech. Leiden: Brill, 1991.

[17] KORTHALS, Holger. 2003. Zwischen Drama und Erzählung: Ein Beitrag zur Theorie geschehensdarstellender Literatur. Berlin: Schmidt, 2003.

[18] MORRISON, Kristin. 1983. Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter. Chicago: University of Chicago Press, 1983.

[19] PAVEL, Thomas G. 1985. The Poetics of Plot: The Case of English Renaissance Drama. Manchester: Manchester University Press, 1985.

[20] PFISTER, Manfred. 1988 [1977]. The Theory and Analysis of Drama. Cambridge: Cambridge University Press, 1988 [1977].

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[22] SOMMER, Roy. 2005. Drama and Narrative. In D. Herman et al. (edd.). Routledge Encyclopedia of Narrative Theory. London: Routledge, 2005: 119–124.