Život Nikolaje Jevreinova

Title: Život Nikolaje Jevreinova
Variant title:
  • Life of Nikolai Evreinov
Source document: Theatralia. 2016, vol. 19, iss. 1, pp. 201-211
  • ISSN
    1803-845X (print)
    2336-4548 (online)
Type: Article
License: Not specified license

Notice: These citations are automatically created and might not follow citation rules properly.

Biography of Russian director, playwright and art theoretician Nikolai Nikolayevich Evreinov (1879, Moscow – 1953, Paris) based on Russian and French sources covers his theatre activities from the start till 1925, the year of his emigration. Despite being one of the most important personalities of Russian Silver Age, Evreinov was erased from the official records after he had left Russia, his memory being doomed to oblivion. However, the current research on his theatre works suggests his contribution to the theatre might be significantly reevaluated and reappreciated in the future. The given paper draws on these new findings, presenting noteworthy information on Evreinov's life as yet often unknown to the Czech scholarly public.
[1] BABENKO, Vladimir G. 2011. Arlekin i P'jero [Harlequin and Pierrot]. Jekatěrinburg: Izdatel'stvo Ural'skogo universiteta, 2011.

[2] BROCKETT, Oscar Gross. 1999. Dějiny divadla [History of Theatre]. Praha: Lidové noviny, 1999.

[3] HONZL, Jindřich. 1927. Vznik ruského moderního divadla [Origins of Modern Russian Theatre]. In Alexandr Tairov. Odpoutané divadlo [Theatre Unbound]. Praha: Orbis, 1927.

[4] HONZL, Jindřich. 1963. Základy a praxe moderního divadla [Principles and Praxis of the Modern Theatre]. Praha: Orbis, 1963.

[5] JEVREJNOV, Nikolaj. 2014. Scénické ztvárnění života. Ex cathedra [Staging the Life. Ex Cathedra]. Theatralia 17: 1 (2014): 119–148.

[6] KACHINA JEVREINOVA, Anna Aleksandrovna. 1964. N. N. Jevreinov v mirovom teatre XX veka. Paříž, 1964.

[7] Krivoe zerkalo (teatr) [Crooked Mirror (the Theatre)]. In Wikipedia: the free encyclopedia [online]. San Francisco (CA): Wikimedia Foundation, 2001 [cit. 2014–12–01]. Dostupné z: https://ru.wikipedia.org/wiki/Кривое_зеркало_(театр).

[8] MARTÍNEK, Karel. 1966. Prameny ruské divadelní moderny [Sources of the Russian Modernism]. Praha: Svět sovětů, 1966.

[9] MARTÍNEK, Karel. 1967. Dějiny sovětského divadla (1917–1945) [History of the Soviet Theatre (1917–1945)]. Praha: Orbis, 1967.

[10] MARTÍNEK, Karel. 1985. Portréty představitelů ruské předrevoluční moderny, sovětské divadelní avantgardy a vybraných osobností dramatického umění v SSSR [Portraits of the Russian Pre-Revolution Modernists, Soviet Theatre Avant-Garde, and Other Theatre Personalities of the Soviet Union]. Praha: Divadelní ústav, 1985.

[11] NIÈVRE, Dominique de. 2004. Une saga libérale en Russie: les Evréinov, Juifs, marchands, nobles et artistes (1650–1950). Paris: L'Harmattan, 2004.

[12] OSOLSOBĚ, Ivo. 2003. Ostenze, hra, jazyk [Ostension, Play and Language]. Brno: Host, 2003.

[13] SOLOGUB, Fjodor. 2004. Divadlo jediné vůle [Theatre of the Only Mind]. In Pavel Klein a Simona Koryčánková (edd.). Manifesty ruského symbolismu III.: Divadlo [Manifests of the Russian Symbolism III: Theatre]. Brno: Masarykova univerzita, 2004.

[14] Starinnyj teatr [The Ancient Theatre]. In Wikipedia: the free encyclopedia [online]. San Francisco (CA): Wikimedia Foundation, 2001 [cit. 2014–11–26]. Dostupné z: https://ru.wikipedia.org/wiki/Старинный_театр.

[15] ŠKLOVSKIJ, Viktor Borisovič. 1983. Ejzenštejn. Praha: Odeon, 1983.

[16] ŠKLOVSKIJ, Viktor Borisovič. 1972. Vzpomínky na vzpomínky [Memories of Memories]. Praha: Československý spisovatel, 1972.