Title: Speculative realities, practice as theory: interview with Dorota Sosnowska
Source document: Theatralia. 2016, vol. 19, iss. 2, pp. 123-129
Extent
123-129
-
ISSN1803-845X (print)2336-4548 (online)
Stable URL (handle): https://hdl.handle.net/11222.digilib/135858
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
References
[1] BOURDIEU, Pierre. 1993. The Field of Cultural Production. Cambridge: Columbia University Press, 1993.
[2] MOUFFE, Chantal. 2013. Agonistics: Thinking the World Politically. London: Verso, 2013.
[3] SCHECHNER, Richard. 2003. Performance Theory. Revised and Expanded edition. New York: Routledge, 2003.
[4] SCHNEIDER, Rebecca. 2011. Performing Remains: Art and War in Times of Theatrical Reenactment. New York: Routledge, 2011.
[5] TAYLOR, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Dirham/London: Duke University Press, 2003.
[2] MOUFFE, Chantal. 2013. Agonistics: Thinking the World Politically. London: Verso, 2013.
[3] SCHECHNER, Richard. 2003. Performance Theory. Revised and Expanded edition. New York: Routledge, 2003.
[4] SCHNEIDER, Rebecca. 2011. Performing Remains: Art and War in Times of Theatrical Reenactment. New York: Routledge, 2011.
[5] TAYLOR, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Dirham/London: Duke University Press, 2003.