Title: Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics
Source document: Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23-38
Extent
23-38
-
ISSN1803-845X (print)2336-4548 (online)
Persistent identifier (DOI): https://doi.org/10.5817/TY2019-S-3
Stable URL (handle): https://hdl.handle.net/11222.digilib/142287
Type: Article
Language
License: CC BY-NC-ND 4.0 International
Notice: These citations are automatically created and might not follow citation rules properly.
References
[1] BECKETT, Samuel. 1984. Collected Shorter Plays of Samuel Beckett. London: Faber and Faber, 1984.
[2] DROZD, David, Tomáš KAČER and Don SPARLING (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016.
[3] ZICH, Otakar. 1931. Estetika dramatického umění. Teoretická dramaturgie [Aesthetics of Dramatic Art A Theoretical Dramaturgy]. Praha: Melantrich, 1931.
[2] DROZD, David, Tomáš KAČER and Don SPARLING (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016.
[3] ZICH, Otakar. 1931. Estetika dramatického umění. Teoretická dramaturgie [Aesthetics of Dramatic Art A Theoretical Dramaturgy]. Praha: Melantrich, 1931.