Title: Building reenactment studies
Source document: Theatralia. 2022, vol. 25, iss. 2, pp. 149-154
Extent
149-154
-
ISSN1803-845X (print)2336-4548 (online)
Persistent identifier (DOI): https://doi.org/10.5817/TY2022-2-8
Stable URL (handle): https://hdl.handle.net/11222.digilib/digilib.77251
Type: Review
Language
License: CC BY-NC-ND 4.0 International
Reviewed work
Agnew, Vanessa; Lamb, Jonathan; Tomann Juliane (eds.). The Routledge handbook of reenactment studies: key terms in the field. First issued in paperback. London; New York: Routledge, Taylor & Francis Group, 2021. xxii, 264 p. Routledge handbooks. ISBN 978-1-032-08425-1.
Notice: These citations are automatically created and might not follow citation rules properly.
Note
The funding for the present text was provided by the Czech Ministry of Education, Youth and Sports for specific research (IGA_FF_2022_062).
References
[1] BALDACCI, Cristina et al. (eds.). 2022. Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory. Berlin: ICI Press, 2022.
[2] BALDACCI, Cristina and Susanne FRANCO (eds.). [Forthcoming]. On Reenactment: Concepts, Methodologies, Tools. Turin: Academia University Press.
[3] FOELLMER, Susanne. 2020a. The Archival Turn in Dance/Studies: Reflections on (Corporeal) Archives and Documents. In Ann R. David, Michael Huxley and Sarah Whatley (eds.). Dance Fields: Staking a Claim for Dance Studies in the 21st Century. Binsted: Dance Books, 2020: 249–272.
[4] FOELLMER, Susanne. 2020b. Aufführungsanalyse in Zeiten der Wiederholung. In Benjamin Wihstutz and Benjamin Hoesch (eds.). Neue Methoden der Theaterwissenschaft. Bielefeld: transcript, 2020: 89–106.
[5] FRANKO, Mark (ed.). 2017. The Oxford Handbook of Dance and Reenactment. New York: Oxford University Press, 2017.
[6] LUKANITSCHEWA, Swetlana. 2009. Sehnsucht nach Theatralität: Die künstlerischrekonstruktive Methode von Nikolai Evreinov und ihre Realisierung am Petersburger Starinnyj Teatr. In Stefan Hulfeld and Peter Birgit (eds.). Maske und Kothurn. Theater/Wissenschaft im 20. Jahrhundert 55 (2009): 1–2: 3–98.
[7] ROSELT, Jens and Ulf OTTO (eds.). 2012. Theater als Zeitmaschine: Zur performativen Praxis des Reenactments. Theater– und kulturwissenschaftliche Perspektiven. Bielefeld: transcript, 2012.
[8] SAJEWSKA, Dorota. 2019. Necroperformance: Cultural Reconstructions of the War Body. Transl. by Simon Wloch. Zurich: Diaphanes, 2019.
[9] SCHNEIDER, Rebecca. 2011. Performing Remains: Art and War in Times of Theatrical Reenactment. New York: Routledge, 2011.
[10] TAYLOR, Diana. 2003. Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham/London: Duke University Press, 2003.
[2] BALDACCI, Cristina and Susanne FRANCO (eds.). [Forthcoming]. On Reenactment: Concepts, Methodologies, Tools. Turin: Academia University Press.
[3] FOELLMER, Susanne. 2020a. The Archival Turn in Dance/Studies: Reflections on (Corporeal) Archives and Documents. In Ann R. David, Michael Huxley and Sarah Whatley (eds.). Dance Fields: Staking a Claim for Dance Studies in the 21st Century. Binsted: Dance Books, 2020: 249–272.
[4] FOELLMER, Susanne. 2020b. Aufführungsanalyse in Zeiten der Wiederholung. In Benjamin Wihstutz and Benjamin Hoesch (eds.). Neue Methoden der Theaterwissenschaft. Bielefeld: transcript, 2020: 89–106.
[5] FRANKO, Mark (ed.). 2017. The Oxford Handbook of Dance and Reenactment. New York: Oxford University Press, 2017.
[6] LUKANITSCHEWA, Swetlana. 2009. Sehnsucht nach Theatralität: Die künstlerischrekonstruktive Methode von Nikolai Evreinov und ihre Realisierung am Petersburger Starinnyj Teatr. In Stefan Hulfeld and Peter Birgit (eds.). Maske und Kothurn. Theater/Wissenschaft im 20. Jahrhundert 55 (2009): 1–2: 3–98.
[7] ROSELT, Jens and Ulf OTTO (eds.). 2012. Theater als Zeitmaschine: Zur performativen Praxis des Reenactments. Theater– und kulturwissenschaftliche Perspektiven. Bielefeld: transcript, 2012.
[8] SAJEWSKA, Dorota. 2019. Necroperformance: Cultural Reconstructions of the War Body. Transl. by Simon Wloch. Zurich: Diaphanes, 2019.
[9] SCHNEIDER, Rebecca. 2011. Performing Remains: Art and War in Times of Theatrical Reenactment. New York: Routledge, 2011.
[10] TAYLOR, Diana. 2003. Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham/London: Duke University Press, 2003.