Title: Architecture, performance, and scenography : exploring the body experience in the house – insights from Ensaios do corpo
Source document: Theatralia. 2024, vol. 27, iss. 1, pp. 57-78
Extent
57-78
-
ISSN1803-845X (print)2336-4548 (online)
Persistent identifier (DOI): https://doi.org/10.5817/TY2024-1-4
Stable URL (handle): https://hdl.handle.net/11222.digilib/digilib.80026
Type: Article
Language
License: CC BY-NC-ND 4.0 International
Rights access
open access
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
This article presents an analysis of Natália Barros' book, titled Ensaios do corpo no lugar de morar (2021). The book deals with a theoretical, practical, and collaborative research within the realms of architecture, dance, scenography, performance design, and digital tools. Numerous artists from across the globe have come together, catalysing performative experiments that challenge conventional notions of dwelling. The aim of this article is to provoke reflections on the bodily experience within the home amid the global backdrop of the pandemic, based on a digital performative experiment that appears to blend an expanded conception of scenography with certain elements of domestic life.
References
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[7] FERNANDES, Sílvia. 2018. Teatro expandido em contexto brasileiro [Expanded Theatre in Brazilian Context]. Sala Preta 18 (2018): 1: 6-34. | DOI 10.11606/issn.2238-3867.v18i1p6-34
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[9] HOWARD, Pamela. 2015. O que é cenografia? [What is Scenography?]. São Paulo: SESC, 2015 [2009].
[10] KRAUSS, Rosalind. 1979. A escultura no campo ampliado [Sculpture in the Expanded Field]. Arte & ensaios 17 (2008): 17: 128-137.
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[14] PQ. 2023a. Brazil / Encruzilhadas: We Believe in Crossroads [online]. [accessed on 26.3.2024]. Available online at https://pq.cz/pq-2023-info/projects-2023/exhibition-of-countries-and-regions/brazil-encruzilhadas-we-believe-in-crossroads/.
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[16] QUILICI, Cassiano. 2014. O campo expandido: arte como ato filosófico [The Expanded Field: Art as a Philosophical Act]. Sala Preta 14 (2014): 2: 12-21. | DOI 10.11606/issn.2238-3867.v14i2p12-21
[17] REBOUÇAS, Renato Bolelli. 2022. Cenografia expandida no Brasil: uma abordagem narrativa a partir do Sul [Expanded Scenography in Brazil: A Narrative Approach from the South]. Urdimento - Revista de Estudos em Artes Cênicas 2 (2022): 44: 1-29. | DOI 10.5965/1414573102442022e0209
[18] RODRIGUES, Cristiano Cezarino. 2016. O campo ampliado da teatralidade performativa na cenografia contemporânea [The Expanded Field of Performative Theatricality in the Contemporary Scenography]. O Percevejo Online 8 (2016): 1: 90-102.
[19] ROUBINE, Jean-Jacques. 1998. A linguagem da encenação teatra: 1880-1980 [Théâtre et mise en scene: 1880-1980]. Rio de Janeiro: Zahar, 1998 [1980].